Edmund Blunden Marches West of Ruin and into Dreary New Quarters; Frederic Manning Confined to His; Siegfried Sassoon Hastens to Explain Himself to a Looming Lady Ottoline

Frederic Manning reported himself sick today, a century back. But, unfortunately, everyone knew that he had been out drinking the night before, and the Medical Officer refused to acknowledge the fiction, ordering him confined to quarters. Manning’s C.O., however, dragged his feet, no doubt debating how exactly to report this lapse–so soon after an exonerating Medical Board–to the War Office.[1]

 

Siegfried Sassoon, meanwhile, is keeping up with his correspondence. Lady Ottoline Morrell, who took Sassoon’s deflection from the anti-war cause in stride, seems to be less enthused about his coming defection. I’m not sure exactly what she has written to him, but there is a strong sense that she has demanded an explanation about how exactly he plans to rejoin the war effort without considering himself a traitor to her cause.

28 October 1917, Craiglockhart

My dear Ottoline,

The trouble is that if I continue my protesting attitude openly after being passed for General Service they will call it a ‘recrudescence’ or relapse and keep me shut up here or elsewhere. They will never court-martial me. The only chance would be—after being passed fit—to get an outside opinion from a man like Mercier. I don’t quite know how they’d act if he said I was normal.

So Sassoon is still thinking of his return in terms of guarantees and bureaucratic arm-twistings on the matter of his sanity, rather than success of the appeal, made by Rivers and Sassoon’s other friends, to his sense of loyalty to the fighting troops. What Sassoon writes doesn’t make a great deal of sense, and he says nothing, yet, to Lady Ottoline about his having skipped a medical board… It’s hard to tell if he acts as if he holds the cards in order to reassure her that he is still a principled pacifist or in order to conceal from himself that he has decided to give in–and that he only has Rivers’s assurances that this is a compromise rather than an unconditional surrender.

At present the War Office has been informed that the only conditions under which I will undertake soldiering again are with my old Battalion in France, which makes it fairly clear. I mean to get a written guarantee from them before I do anything definite, as I know their ways too well. I am glad you like ‘Death’s Brotherhood‘. It is the best that is in me, however badly I may have expressed it.

Nor does he want a visit from the eminent pacifist:

It isn’t worth while your corning all the way to Edinburgh in this awful weather. Wait a bit—I may be getting away soon…

I am not depressed—only strung up for supreme efforts—whether they’ll be out in that charnel-place or not is in the hands of chance. Only I want to be active somehow because I know I can do it. Strength is something to be glad for—and one needs it to be able to face the bare idea of going back to hell…[2]

 

Speaking of hell, Edmund Blunden has been in and out all autumn. Today, a century back–matching his memoir to the Battalion War Diary–he made it as far back as, if not quite paradise, something approaching the appropriate pastoral antithesis of Third Ypres…

A day or so later (my company being reconsigned to its ordinary commander) the battalion marched back several miles to another camp. The route lay through Kemmel, where we made a halt, wondering to see the comparatively sound state of the houses and particularly the chateau’s ridiculous mediaeval turrets in red brick. Its noble trees were a romance and poetry understood by all. The day was gloomy, but to be “stepping westward” among common things of life made it light enough. Gently the chestnut and aspen leaves were drifting down with the weight of the day’s dampness. We passed over hills still green, and by mossy cottages, with onions drying under the eaves. It was as though war forgot some corners of Flanders…

But that doesn’t mean that western Flanders can forget the war: their camp is no clutch of cozy cottages.

Our camp by Westoutre at length appeared, through a drifting rain, in the bottom of a valley, undisguised slabby clay; the houses hereabouts were mean, and no entertainment for the troops could be anticipated. Indeed, the mere physical needs were unanswered by the tattered canvas of this wretched open field. Protests were “forwarded,” and we were moved to a hutment camp in a wood, called Ottawa, as fine as the other was miserable…[3]

 

References and Footnotes

  1. Marwil, Frederic Manning, An Unfinished Life, 185.
  2. Diaries, 193.
  3. Undertones of War, 255.

Withdrawals and Approaches: Charles Carrington, Hugh Quigley, Edmund Blunden, and Guy Chapman near Passchendaele Ridge

Before we turn to the tribulations of Charles Carrington on the Steenbeek, we must look to our immediate rear, where we have such a build-up of memoir writers in the support lines of the Salient that poetry can pass from one to the next…

 

First is Hugh Quigley, soon headed back toward the front lines. A fell mood is upon him:

The Canal Bank, Ypres, 6 October, 1917

I am right in the thick of it again, in this historic place which I shall describe some time. When I think of the glorious weather, sunlight shimmering in the molten sky, slow winds just breathing over the wilderness of shell-holes, it seems so hard throwing it all aside for an uncertain end. Yet it must be done. Perhaps Fate may have some kindness in store for me. Last night I had a strangely poignant dream: I was lying in the hospital trying madly to move my legs, both tied down in splints, and biting my lips to overcome pain coming from the right groin. A comfortable wound might be the outcome of this premonition. Let us hope so: then I can see again the Old Country I had given up for lost, hear the old voices, look at the friendly glad faces.[1]

 

Edmund Blunden, too, is on the way back in. His last tour had been harrowing, although of course it could have been worse. All of his unsurpassed talent for knitting together Gothic horror and pastoral idyll in close company on the page is exerted here, as he describes the withdrawal and then the time in reserve:

After the most vigorous display by the Bosch artillery that I have yet had to cast my eye upon and a narrow escape from being pulled under in a swamp on the way out (I was in such a hurry to get out of the barrage that my foot missed the dead man I was going to use as a duckboard),  we came back to this Corydonian spot for a B.E.F. rest. We feed in a barn which smells most pleasantly of hops…

Or not–not yet: this is not the studied, sumptuous memoir bur rather a contemporary letter to his school friend Hector Buck, which soon more fully embraces the usual tone of frenetic gaiety:

A bevy of milkmaids flitters about and warbles dithyrambs in the sunny air; at times they cease to warble but make a noise exactly similar by working an obese and crotchety cream separator. Since I knew they were on the go I have broken my vow and shaved; but even then my Charms are not availing.[2]

The memoir also fills us is in on how Blunden and the 11th Royal Sussex were really spending their time out of the line: drilling, marching, shooing on rifle and pistol ranges, and practicing for some of the least Arcadian recourses of the war.

This next episode–gas training–makes it possible, using the Battalion War Diary, to date this description fairly securely to today, a century back:

It was even a pleasure here to see Williams, the divisional gas officer, and his same old sergeant, at their kindly, deadly work again. I forget what type of gas it was that Williams discharged upon us, leaving it to us to get our helmets on or pass out. However, I believe it was not at full strength, for some hens poking about in the stubble did not suffer. Perhaps God tempers the gas to the Ypres hen.

But here is a point of interest not only specifically to this project but to the entire genre of the war memoir. Several of our writers involved in Passchendaele have–even while describing its horrors at great length–begun to refuse to dwell firmly in their evolving historical moment. In 1917 the war has become too much to bear–or its young wager-victims have become too prematurely old to live without the melancholy shoring-up of reminiscence:

Our minds receded with actual joy to the 1916 war, and particularly that season when we were within the kindly influence of Bethune. When had we heard the word “a bon time” since? How few there were left even to understand what hopes had then borne the battalion on, singing, toward the Somme! When we left this camp of disastered 1917, to be merged again in the slow amputation of Passchendaele, there was no singing. I think there were tears on some cheeks.

More prosaically, Blunden reports that he was passed over for promotion at this time–“the General would not hear of it, claiming that I was too young. My offences against propriety of speech and demeanour were in any case sufficient to spoil my chances…”–but also that he will be given a company nonetheless (to command as First Lieutenant, rather than a Captain).

Before that I had had a special duty to do. It was to act as “Tunnel Major” in Hedge Street Tunnels — to regulate the very limited and fiercely coveted accommodation there, and the traffic in and out. This took me back to the accursed area again, and even while I made my way there the evil nature of the place displayed itself. Going up by way of Zillebeke, I was obliged to stop. An “area shoot” began, a solid German bombardment for an hour on a chosen space, enclosing several battery positions. This shelling was so concentrated and geometrical that, leaning against the side of our old trench just beyond its limit, one was in safety. But the area covered was treated as with a titanic roller and harrow. About half an hour after this shoot began, from the very middle of the furnace two artillerymen suddenly emerged, running like demons but unwounded.

Outside the large dugout which I was to supervise a quartermaster-sergeant’s body was lying. Men were afraid to pause even a few seconds at this point and bodies were not quickly buried…

I found the tunnels crammed with soldiers on business and otherwise. The Colonel and Adjutant of the R. F.’s, who had taken our place in the Tower Hamlets sector a fortnight or so before, were occupying a new and half-finished dugout; they used me very hospitably. The Colonel remarked, pouring me out a drink, “We no longer exist.” I asked how: he explained that their casualties had been over 400.

Our experience had been only the prelude to their full symphony…[3]

 

Guy Chapman‘s symphony, as it happens–it was his battalion of the Royal Fusiliers which greeted Blunden, though Blunden does not recall the young officer’s name.[4]

On our third evening in Hedge Street we welcomed a very young, very fair and very shy subaltern from the Royal Sussex, who were to relieve us the next day. His battalion had preceded us at Tower Hamlets and had suffered a like experience. Late that evening a 6-inch How-battery commander came in to ask for accommodation and stayed to dinner. He was a pale bald man with a near fair moustache. He thumped on the table and recited Kipling for our entertainment.

This next bit, then, would be proper to tomorrow, a century back:

On the next day I showed our incoming tenant from the Sussex over his noxious habitation. As we bade him good-bye, he shyly put a small paper-covered book into my hand. The Harbingers, ran the title, ‘Poems by E.C. Blunden.’ It went into my it along with the battered Shakespeare, the torn Evan Harrington, and Sir Thomas Browne.[5]

 

Finally, though, we must skip ahead, more in the geographical than the anticipatory sense. We left Charles Carrington (the “Edmonds” of A Subaltern’s War), yesterday, about to grab a few hours overnight in the A Company dugout. After two long sleepless days and nights, he was exhausted, jumpy, and not too proud to simply sleep in a place of greater safety, “a little bit of narrow trench partly covered with a sheet of iron.”

After dawn, Carrington/Edmonds continued to lay as low as he decently could.

I determined quite basely to take shelter for a few hours in C company’s pill-box, and presently plucked up courage and squattered across through the stream to it.

This pill-box was the only piece of good cover in the battalion area. Imagine a small room ten feet square and six feet high with walls of thick rough concrete. There is only one opening, the door, over which a waterproof sheet is draped. The furniture consists of four bunks made of wire stretched on wooden frames. Signallers and officers’ servants have made a little hutch under the lee of the outer wall. Inside, live Marriott and Flint, a serjeant, and as many other people as are thought to deserve refuge. During the day Newsom and Wolfe each pay a visit to get some rest. I come first and stay longest. After all, the headquarters of a front-line company make quite a good command-post for a support company commander, and Thorburn’s position is within shouting distance and full view by daylight. On such a little journey had we lost our way last night.

Flint is something in the same exhausted state as myself; Marriott, who came up from reserve with Thorburn and Wolfe after the attack, is very cheerful and doing most of the work…

Descriptions of pill-boxes will be a major feature of “Edmonds'” narrative from here on out, with loving attention both to their horribleness and their precise degree of protection against different armaments.

But war narratives can never be truly predictable: today passes pleasantly and amusingly, with a tone of light comedy, however much strained, by tension, toward hysteria:

Marriott welcomed me cordially enough, and found me the dry corner of a bed, where I tried to get an hour’s sleep, but with little success. After a time he came into the pill-box, grinning, to ask me to take away some men of mine who were creating a disturbance in his trench. I went out and found the ten ration-carriers of last night all roaring drunk. The poor devils had got lost, just like everyone else, had wandered all night, and finally decided that the company was annihilated. Not without good sense they decided not to starve. They did their best with a whole company’s rations, but a whole company’s rum defeated them. Hither they had wandered very happy and very sleepy, but rather inclined to sing themselves to sleep. We saved the rest of the food and rum, and sent over the
remains, plenty for my handful of men.

It was difficult to know what to do with these men. One or two were helpless and comatose, one or two were incurably cheerful, the others varied from one extreme to the other. To arrest them and send them down the line would bring shell-fire on them and their escort, besides weakening the outposts. I stormed at them in my severest manner, promising them all courts-martial and death sentences. Some understood me and sobered a little, but Bridgwater and two or three others only blinked and looked more amiable than ever. If I had had any laughter in me I should have burst out laughing, too. We brought most of them round to a condition soon where they could go back to the company. The hopeless cases we left to sleep it off. There were no shooting parties at dawn, after all, as a sequel to this episode.

During the rest of the day I remained almost entirely in the pill-box. The shell-fire gradually increased as it had done yesterday, but we had no direct hits, any one of which would have done for us. Marriott kept up a running fire of conversation all day, little jokes and reminiscences, sly hints about my company and the rum, comparisons of our men with the Colonials, anecdotes of the day and of old battles. He had a N.C.O. in the pill-box with him, as orderly serjeant, one of those professional humorists without whom no company could hang together. The queer turns of his dialect, and an attractive little stuttering in his speech, an acute street-arab sense of humour, combined with the
manners and deference of a gentleman, made him perhaps a perfect example of the urban soldier. The stories flowed out of him all day, his adventures with long-forgotten brigadiers, ‘madamaselles’ or serjeant-majors, his friends and their idiosyncrasies, love and war and the weather, the bitterness of things, red tape and bad language.
(I cannot refrain from quoting ‘that our armies swore terribly in Flanders.’) He could tell a tale against a staff officer always with tact enough not to scandalise the officers present. If I were Dickens and could write down what he said,
my fortune as a novelist would be made. But I’m afraid the jokes that made us reel with laughter would be flat to-day. One jumped at any excuse to be gay, and to laugh meant to forget that open door, facing the wrong way, through which a shell might come at any moment to burst in the midst of us…

But relief from anxiety through laughter is temporary–relief from the front line, by another battalion, is what they crave.

At dusk when we were all ready the orderly arrived again. Where were the Berks? we asked. Not yet come up. But he had brought instead a large rough mongrel sheep dog, trained to carry messages through fire. Marriott grew quite despondent. “I thought they were going to send up the Berkshires,” he said, “ but all we’re going to get now is barks”; at which we laughed uproariously. The Berks never did come, but before long a company of another regiment began to arrive. I collected my gear (we were in full marching order), and splashed through the stream to Thorburn, who had had another day’s shelling and felt a little neglected. We headed back a second time to the jumping-off line, where we were now to be reserve company. Marriott withdrew his men to our position in the shell-holes by the Stroombeek.

As Thorburn and I ploughed through the mud after our men, we passed one of the relieving platoons going forward. Their subaltern gripped me by the arm.

“Who are you? Where are you going? Where’s the front line? Have you seen A company?” he asked all in a rush.

“Keep straight on,” I answered jauntily, “follow the tape. Your captain’s up there. We’ve just been relieved.”

“Don’t go! ” he said. “Don’t leave us! For God’s sake, show us the way.” I had met someone more frightened than
myself. My confidence came back to me in a moment. This man was in a shivering funk.

“God damn it!” I said. “You’re all right. You’re much stronger than we were. There’s a good dugout up there—you can’t miss it.”

And I shook him off and walked on. I wonder what state that poor devil was in at the end of his tour. But I had only gained a momentary confidence, and before morning was sinking back into the same apathy of suppressed fear as before.

We took up our position on the right half of the jumping-off line, quite near headquarters. There were about twenty-seven men to organise in four sections, and place in the best shell-holes. For company headquarters Serjeant Walker, Thorburn and I found an old incomplete pill-box called on the map Cluster House. It was one of those early German efforts made of concrete on the western and of wood on the eastern side, so that in case of capture it would give no cover against German shell-fire. But it gave shelter from the rain, and here we settled. To make some amends to Thorburn for the twenty-four hours duty he had taken alone, I sent him to battalion headquarters to sleep, where they found him a corner of some kind. Walker took the top bunk in the little room, I took the lower one, but could only doze for an hour or two, in spite of the fact that I had not had eight hours’ sleep out of the last ninety. It was very cold and I was acutely aware of my wet knees.[6]

 

References and Footnotes

  1. Passchendaele and the Somme, 133-4.
  2. More Than a Brother, 12.
  3. Undertones of War, 246-9.
  4. Blunden's poetry will soon be well known; Chapman published his memoir five years after Blunden's Undertones.
  5. A Passionate Prodigality, 207.
  6. A Subaltern's War, 170-77.

Dr. Dunn, Frank Richards, and Edmund Blunden at Third Ypres: Six Men Dead by a Chance Shell, Six by Deliberate Bombs, One by a Bullet; Trauma, Murder, and Angels in the Rocket-Lit Sunset

As yesterday became today, a century back, most of the remaining 2/Royal Welch were grabbing a few hours of sleep in their makeshift line of shell-holes and captured German pillboxes. Dr. Dunn’s day will hardly be any less eventful, although some relief is given to him and to Captain Radford when one Major Kearsey arrived from the Battalion reserve to take command. Within a few hours of dawn they were back into piecemeal combat, advancing into new holes left by more recently retreated Germans. But British “bite and hold” tactics must still contend with the German “defense in depth,” and the fighting is much more reminiscent of the platoon-driven tactics of the next war than of the “lines” of infantry attacking “lines” of trenches which were the common conceptual coinage of even last year’s battles. To advance means to find and eliminate those strong points that held out yesterday, and soon the Royal Welch, pushing out from Jerk Farm, take a number of prisoners in a now-isolated pillbox.

We will hear more about these men in a moment, but Dr. Dunn’s narrative proceeds quickly toward the late afternoon. If yesterday’s narrative involved an admirable suppression of his own very active role in commanding the battalion, today concludes with an admirable confession of what the day’s combat did to him.

In a lull not long after 5, a delusive lull, I went out to look for Mann’s body. Some Australians told me where about it was, and added that “one of our fellows is taking care of his ring…” Radford seemed to be amused at the game of I-Spy among the shell-holes that followed. Doubtless the snipers much enjoyed it, and perhaps a German artillery observer; I didn’t, much, until it was over. It was the longest quarter-hour of my life. Beginning near 6 o’clock there was half an hour’s sustained shelling of H.Q., so accurate, so concentrated, that my confidence in a new shell-hole as the safest shelter was shaken. I came to date a failure of nerve from impressions taken then.

In other words–slightly less old-fashioned words–Dunn chose to become a combatant (in violation of the laws of war) and help save his battalion from what otherwise may have been a collective failure. And in doing so, he pushed himself to the point of exhaustion and was exposed to so much trauma–“shell-shocked” by the physical facts of shelling but also psychologically affected by the experience–that he will suffer a stress reaction in the near future.

 

Frank Richards‘s account of today, a century back, is more detailed, and no less focused on the danger that the doctor–and he himself–faced.

Major Kearsley, the Doctor and I went out reconnoitring. We were jumping in and out of shell holes when a machine-gun opened out from somewhere in front, the bullets knocking up the dust around the shell holes we had just jumped into. They both agreed that the machine-gun had been fired from the pillbox about a hundred yards in front of us. We did some wonderful humping and hopping, making our way back to the bank. The enemy’s artillery had also opened out…

Richards also tells the tale–with obvious relish–of a timorous platoon officer (unfortunately paired with a “windy” sergeant) who has to be forced forward to take a German position. When this officer–“The Athlete”–balks in confusion and sends back for orders, Richards is sent to carry verbal instructions–an awkward task, to send a trusted, more experienced private to give orders to a young and hesitant second-lieutenant. Richards delivers the message, and then, returning from the newly-captured pillbox to the H.Q. unit, he becomes a near witness to a war crime:

The enemy were now shelling very heavily and occasionally the track was being sprayed by machine-gun bullets. I met a man of one of our companies with six German prisoners whom he told me he had to take back to a place called Clapham Junction, where he would hand them over. He then had to return and rejoin his company. The shelling was worse behind us than where we were…

I had known this man about eighteen months and he said, “Look here, Dick. About an hour ago I lost the best pal I ever had, and he was worth all these six Jerries put together. I’m not going to take them far before I put them out of mess.” Just after they passed me I saw the six dive in one large shell hole and he had a job to drive them out…

Some little time later I saw him coming back and I know it was impossible for him to have reached Clapham Junction and returned in the time… As he passed me again he said: “I done them in as I said, about two hundred yards back. Two bombs did the trick.” He had not walked twenty yards beyond me when he fell himself: a shell-splinter had gone clean through him. I had often heard some of our chaps say that they had done their prisoners in whilst taking them back, but this was the only case I could vouch for, and no doubt the loss of his pal had upset him very much.

This brutal tale is tied up too neatly. Unless, of course, that is exactly how it happened.

 

The day’s traumas are far from over. Richards has had a very lucky war so far: not a scratch on him and, as he is usually just behind the attack with the signallers, very little in the way of immediate deadly violence to perform. When he is hit today, it is only a spent piece of shrapnel that hammers him on a thickly-padded part of his leg, and he escapes with a painful bruise and a temporary limp. Which means that he can continue carrying messages over a most uncertain battlefield.

During the afternoon the Major handed me a message to take to A Company, which consisted of the survivors of two companies now merged into one under the command of a young platoon officer… The ground over which I had to travel had been occupied by the enemy a little while before and the Company were behind a little bank which was being heavily shelled. I slung my rifle, and after I had proceeded some way I pulled my revolver out for safety. Shells were falling here and there and I was jumping in and out of shell holes. When I was about fifty yards from the Company, in getting out of a large shell hole I saw a German pop up from another shell hole in front of me and rest his rifle on the lip of the shell hole. He was about to fire at our chaps in front who had passed him by without noticing him. He could never have heard me amidst all the din around: I expect it was some instinct made him turn around with the rifle at his shoulder. I fired first and as the rifle fell out of his hands. I fired again. I made sure he was dead before I left him…

This little affair was nothing out of the ordinary in a runner’s work when in attacks.

Returning after giving the message, Richards found Kearsey still in command and Dunn “temporarily back in the R.A.M.C.” After carrying another message to the hesitant “Athlete,” Richards is going forward once again alongside Kearsey when they are caught by a German machine gun, and the major is shot through the leg. Richards dresses the wound and helps Kearsey back to where Dunn and Radford and the H.Q. section were stationed.

The Major said that the Battalion would be relieved at dusk and he would try to stick it until then; but the Doctor warned him, if he did, that it might be the cause of him losing his leg.

He then handed over the command to Captain Radford, who said that he would much prefer the Doctor taking command, as he seemed to have a better grip of the situation than what he had. But the Major said he could not do that as the Doctor was a non-combatant, but that they could make any arrangements they liked when he had left…

Richards accompanies the Major back toward the CCS, and so misses what, precisely, those arrangements were…

Even though the battalion has acquitted itself well–it will shortly be withdrawn, with congratulations heaped upon its few remaining officers–both accounts are framed by implied criticisms of the British staff at brigade and division level (and higher).

Earlier in the day, Richards glimpsed an Australian brigadier in a shell hole, having come forward to see for himself what is happening to the men under his command.

It was the only time during the whole of the War that I saw a brigadier with the first line of attacking troops…[1]

Dunn praises the Australians as well, and in a precise parallel of Richards’ observation, he sees a medical officer from the divisional staff treating the wounded in the front line, and also notes that it was the only time he saw such an august medical personage actually treating the wounded under fire.[2]

 

The Royal Welch will soon be out of it, as will the 11th Royal Sussex. But they have been in the thick of it, too, only a mile or so due south (just on the other side of the chateau that was enfilading the Welsh yesterday). Edmund Blunden was a witness, not so long ago, to one of the worst direct hits we’ve seen; today, a century back–and hardly back with the battalion after a long spell of rest, training, and reserve–he was once again.

There is a special sort of terror in sitting in a pillbox that is very strong and very secure–but not strong enough, and with a door facing the wrong way.

Never (to our judgment) had such shelling fallen upon us. For what reason? The Germans had clearly no idea of letting the British advance any farther along the Menin Road. Their guns of all calibres poured their fury into our small area. Reports of casualties were the principal messages from the front line, and we had no reason to think them exaggerated, with such a perpetual rain of shells. The trenches immediately about our pillboxes were already full of bodies. One man in my headquarters died of shock from a huge shell striking just outside. We endeavoured to send off a pigeon, but the pigeon scared by the gunfire found his way into the dugout again, and presently a noise under the floorboards led to his discovery. The men thought that many shells struck the pillbox. The only question seemed to be when one would pierce it, and make an end.

Next door, so to speak, the adjutant, doctor, and their helpers had a slightly worse position, more exposed to enemy observation. The Aid Post was hit, and the doctor continued to dress the wounded though with only an appearance of protection; the wounded came in great number. I went over to ask for orders and information; Lewis was in an almost smiling mood, and quizzed me about “coming to dinner.” Old Auger, the mess corporal, winked at me over the Adjutant’s shoulder, and raised a tempting bottle from his box. I returned, and presently the firing decreased. Lewis called on us to see how we were, and told me that he really meant some sort of dinner would be going soon, and I was to be there. Colonel Millward had just rejoined, from leave, and I had seen him in the headquarters just now; evidently, I thought, the news he brings is promising. A runner visited me, and went back over the fifty yards to the other pillbox — his last journey. He had arrived in the doorway there, and joined the five or six men sheltering there, including the doctor, consulting about something, when the lull in the shelling was interrupted. I was called on the telephone (we had some inexhaustible linesmen out on the wire) by Andrews at the forward station.

“I say, hasn’t something happened at your headquarters?”

“Not that I know of—all right I believe.” (The sound of shelling had long ceased to impinge.)

“Yes, I’m afraid something’s wrong: will you find out?”

My servant Shearing hurried across, and hurried back, wild-eyed, straining: “Don’t go over, sir; it’s awful. A shell came into the door.” He added more details after a moment or two. The doctor and those with him had been
killed.

Curiously, given Richards’s account of the murder of six German prisoners, six men of the Royal Sussex were killed by this shell–the doctor and five “Other Ranks.”[3]

 

This is the worst of the day’s narrative. And yet only a paragraph later Blunden inserts what has always been for me one of the most memorable pastoral incongruities of the whole war:

During this period my indebtedness to an Eighteenth Century poet became enormous. At every spare moment I read in Young’s Night Thoughts on Life, Death, and Immortality, and I felt the benefit of this grave and intellectual voice, speaking often in metaphor which came home to one even in a pillbox. The mere amusement of discovering lines applicable to our crisis kept me from despair.

We were relieved in broad daylight, under observation, but nobody refused to move. The estimate of casualties was 400, and although the real number was 280 or so, the battalion had had enough…

By the end of today, a century back, Blunden has picked up on Dunn’s theme for today: the limits of mental endurance in even the bravest men. And the bitterness of the staff’s indifference to their suffering.

The battalion assembled in the neighbourhood of a small and wiry wood called Bodmin Copse, with tumult and bullets and sometimes shells in the air around…

A steady bombardment with big shells began, and luckily most of them fell a few yards short, but the mental torture, especially when, after one had been carefully listened to in flight and explosion, another instantly followed as though from nowhere, was severe. The trench around me was slowly choked and caved in.

Maycock came up with a train of mules carrying Royal Engineers’ material and petrol cans of water to a point near Bodmin Copse, a star turn for which he earned the General’s stern reproof on account of his not obtaining a receipt for the deliveries.

But gentle Blunden cannot end on that note. No: instead, we see yesterday’s incongruous beauty once again:

The eastern sky that evening was all too brilliant with rockets, appealing for artillery assistance. Westward, the sunset was all seraphim and cherubim.[4]

 

 

References and Footnotes

  1. Old Soldiers Never Die, 251-60.
  2. The War the Infantry Knew, 400-04.
  3. This according to the Battalion Diary; I have not tracked the men through the CWGC or ascertained whether there is a record of the adjutant being killed today.
  4. Undertones of War, 241-5.

Francis Ledwidge Dreams of Ireland; Hedd Wyn in the Salient

We take what may be a very welcome break from the travails of Siegfried Sassoon, today, for a letter from Francis Ledwidge to Katharine Tynan, the prolific and well-connected Irish writer. Tynan has just sent Ledwidge Lord Edward: a Study in Romance, her recent book on Edward Fitzgerald, the 18th century Irish nationalist. This book must have resonated strongly for Ledwidge, so soon after the Easter Rising, and in writing his thanks Ledwidge stints nothing of his talent for the lyrical evocation of Ireland:

20th July 1917

We have just returned from the line after an unusually long time. It was very exciting this time, as we had to contend with gas, lachrymatory shells, and other devices new and horrible. It will be worse soon. The camp we are in at present might be in Tir-na-n’Og,[1] it is pitched amid such splendours. There is barley and rye just entering harvest days of gold, and meadow-sweet rippling, and where a little inn named In Den Neerloop holds its gable up to the swallows, bluebells and goldilocks swing their splendid censers. There is a wood hard by where hips glisten like little sparks, and just at the edge of it mealey leaves sway like green fire. I will hunt for a secret place in that wood to read Lord Edward. I anticipate beautiful moments.

I daresay you have left Meath and are back again in the brown wilds of Connaught. I would give £100 for two days in Ireland with nothing to do but ramble on from one delight to another. I am entitled to a leave now, but I’m afraid there are many before my name in the list. Special leaves are granted, and I have to finish a book for the autumn. But, more particularly, I want to see again my wonderful mother, and to walk by the Boyne to Crewbawn and up through the brown and grey rocks of Crocknahama. You have no idea of how I suffer with this longing for the swish of the reeds at Slane and the voices I used to hear coming over the low hills of Currabwee. Say a prayer that I may get this leave, and give as a condition my punctual return and sojourn till the war is over. It is midnight now and the glow-worms are out. It is quiet in camp but the far night is loud with our guns bombarding the positions we must soon fight for.[2]

This is wishful thinking, alas–but I don’t think Ledwidge really has any hope that somehow he, an ordinary infantryman, will be given special leave when his book comes out. And even if his own turn for leave is not too far off, the wistfulness of this letter is sharpened by the sure knowledge that there will be battle before there is any leave. That is the preparatory bombardment for the Third Battle of Ypres that mutters through the night…

 

A bombardment which Hedd Wyn too will soon be hearing. He has now joined the 15th Royal Welsh–the very same battalion as David Jones.[3] The 15th had been in rest but have now finished their march to the front, reaching–naturally–“Dublin Camp” on the banks of the Yser Canal…

 

References and Footnotes

  1. The legendary "Land of Youth."
  2. Curtayne, Francis Ledwidge, 185-6.
  3. I have only just, very belatedly, realized this fact--there are so many writers and so many battalion numbers that I had been ignoring the homunculus who had been repeatedly suggesting that "15th Battalion, Royal Welch Fusiliers" was awfully familiar. It seems to be an overlooked overlapping of two sympathetic writers, unbeknownst to each other... I will write more about it in a few days.

Robert Graves Attends a Board While Siegfried Sassoon Skips One; Edmund Blunden Passes the Chateau at Vlamertinghe; Francis Ledwidge Writes “Home”

Today, a century back, Robert Graves had a hastily-arranged medical board at Osborne House, on the Isle of Wight, and, despite his recent nervous exhaustion and his bad lung, he was approved to return to duty. Graves has already written to the C.O. of the Welsh Depot (technically, the 3rd Battalion), and he surely indicated to the board that he needed to be passed fit–and therefore granted leave–in order to help a comrade. He probably made it quite clear that he intended to go and help suppress Siegfried Sassoon‘s anti-war protest, and he left for London immediately after the board.

Meanwhile, Sassoon himself cut his own medical board–a shocking breach of good manners, as the depot commandment will explain to him. This is the first sign that the army is likely to simply ignore Sassoon’s direct challenge, treating the fiery and rebellious “Mad Jack” with bureaucratic circumspection. Sassoon has written a protest, but he has slapped no particular face with his duelist’s gauntlets, and the Army, in its lugubrious wisdom, seems likely to shrug aside so impersonal an attack. There will be another board soon…[1]

 

With all of these poets appearing before doctors, writing business letters, and dashing about Britain, we’ve had little time, lately, for poetry. So I will bend the rules a bit today and include two poems that I am almost certain were written this week, or about the events of this week, a century back.

First, Edmund Blunden. His battalion diary for today matches this passage of his memoir:

The battalion camped in readiness among the familiar woods west of Vlamertinghe, but the woods were changed, and the parting genius must have gone on a stretcher. No Belgian artisans were hammering strips of tarred canvas on the hut roofs now; there were holes of various sizes among the huts. Wooden tracks led this way and that in puzzling number through the crowded airless shadows, and new roads threw open to the public a district suited for the movements of a small and careful party. At the corner where one insolent new highway left the wood eastward, an enormous model of the German positions now considered due to Britain was open for inspection, whether from  the ground or from step-ladders raised beside, and this was popular, though whether from its charm as a model or  as a military aid is uncertain. Vidler and Tice inspected it, at least, as stern utilitarians…

Blunden recalls happier times in the Salient–what could be more natural for the pastoral soldier-poet-memoirist, and what could be stranger, really, to the non-soldier than war fondly recalled? Blunden’s memoir is uncanny, though, in its ability to stay within his sensibility–the sharp description, the mixture of foreboding and grudgingly admitted realism and delicate natural beauty (the wildflowers are coming!)–while also being of this moment in the war. It is, after all, the summer of the highly-detailed models, the siege-enthusiast’s historical fetish indulged before the deluge…

But let’s return to Blunden, and the road, and what the summer foliage conceals:

The road toward Vlamertinghe was newly constructed of planks and forced a publicity on farmlands to which I had only gone before on some pleasant trespass. It took one presently through a gorgeous and careless multitude of poppies and sorrels and bull daisies to the grounds of Vlamertinghe Chateau, many-windowed, not much hurt but looking very dismal in the pitiless perfect sun. Its orchards yet clung to some pale apples, but the gunners were aware of that; the twelve-inch gunners, whose business here seemed like a dizzy dream. Under several splendid untrimmed trees, among full-flooding grass, shone certain rails, and on these rails were some tremendous iron engines, with gaping mouths; standing behind, if you could keep your eye unblurred at the titanic second of their speaking, you could see their mortal monosyllables of inferno climbing dead straight into the sky…[2]

That is about as portentous and heavy-handed as Blunden can get. He will also write this day’s march in verse, beginning, again with uncharacteristic directness, by placing a famous line from Keats in this terrible new context:

 

Vlamertinghe: Passing the Chateau, July 1917

‘And all her silken flanks with garlands drest’—
But we are coming to the sacrifice.
Must those flowers who are not yet gone West?
May those flowers who live with death and lice?
This must be the floweriest place
That earth allows; the queenly face
Of the proud mansion borrows grace for grace
Spite of those brute guns lowing at the skies.
Bold great daisies’ golden lights,
Bubbling roses’ pinks and whites—
Such a gay carpet! poppies by the million;
Such damask! such vermilion!
But if you ask me, mate, the choice of colour
Is scarcely right; this red should have been duller.

There is nothing more ominous than beautiful Blunden beginning to sound like satiric Sassoon.

 

It’s not quite fair to Francis Ledwidge to place a somewhat vague poem of his right after this taut stroke of Blunden’s… and yet they fit. They are, certainly, very much poems of mid-July, 1917. Both men know, now, that battle in Flanders is fast approaching. Both think of home–Keats is home, for Blunden–and struggle to see what they can of the unspoilt world in the warscape they inhabit. If Ledwidge is more successful it may be because he is more determined to wish away reality–and it may be because he is writing in the moment, when such wishful thinking is a practical element of emotional health as well as a literary exercise. Some morning this week, when the guns fell silent for a few moments, Ledwidge wrote “Home.”

Home

A burst of sudden wings at dawn,
Faint voices in a dreamy noon,
Evenings of mist and murmurings,
And nights with rainbows of the moon.

And through these things a wood-way dim,
And waters dim, and slow sheep seen
On uphill paths that wind away
Through summer sounds and harvest green.

This is a song a robin sang
This morning on a broken tree,
It was about the little fields
That call across the world to me.

Belgium,
July, 1917.

 

References and Footnotes

  1. R.P. Graves, Robert Graves, The Assault Heroic, 352. Moorcroft Wilson, Siegfried Sassoon, I, 383.
  2. Undertones of War, 166-7. 11th Battalion Royal Sussex War Diary, 88.

Hedd Wyn’s War Begins; Francis Ledwidge to Marsh and Ypres; Hardy at a Party; Sassoon and Read and Ford Gazetted

There are many limitations placed on this project–by prudence, by the persistent finitude of time, by the scope of my interests and inclinations–and so a great many worthy writers are completely absent from it. Among the many entire classes of writers whose Great War experience has been summarily excluded are all of those not writing in English. And although this exclusion, more than most of the others (I have not fought very stiffly against the class and gender biases inherent in the traditional core of “Great War Writers,” for instance) makes a good deal of sense–I expect, sadly, only the same monolingual fluency that I possess–it still seems regrettable.

Hedd Wyn (National Library of Wales)

But then again sticking to the English language does not really exclude many important British Great War poets. In fact, it may exclude nor more than one. And it’s that very one whom I wish most to write about–so I will.

This is not only because the story of Ellis Humphrey Evans, alias Hedd Wyn, alias ‘Fleur de Lis,’ is a very interesting one. No–I  also have more sheepishly personal reasons. Today, a century on, I have planned to be in Wales, seeing the sights, trying not to be seen seeing the sights in a shallowly touristic sort of way, and even trying perhaps, to pick up a little of the language. Which is beautiful and, had the “Jingos” have taken their anti-Germanism to a logical extreme, a much more proper language for use by British soldiers fighting Saxo-Prussian imperialism. So, fellow Anglophones, forgive (and enjoy) the coming “month poem,” yn y Gymraeg.

But first, a bit about its author. Evans–a harmless shepherd in the literal as well as the figurative sense–was not eager to go. He was a chapel man and a pacifist, but, after having been drafted in 1916, he entered the army rather than pursue an uncertain course as a conscientious objector. He did this at least in part because it would preserve a possible family exemption from the draft (for doing essential food-production work) for his younger brother.

In early 1917 Ellis Evans began his training at the Royal Welsh Fusilier depot at Litherland, arriving within a few days of when Siegfried Sassoon–who would not have noticed him, in any case–was posted abroad from the same camp.

A family story has it that he overstayed a recent leave and was taken away by military police to be sent to the War. That would have been last month; by today, a century back, the 15th Royal Welsh Fusiliers are in Fléchin, France, training for the coming offensive.

While working as a shepherd Evans had pursued a bardic career in the Welsh tradition–his chosen name Hedd Wyn means “blessed (literally ‘white’) peace”–winning prizes at several local eisteddfodau and writing pastoral (again!) and Romantic-inflected poems. For the past few months he has been working on a lengthy ode, suitable for submission to the National Eisteddfod, and he has–or will–mail it home within a few days of today, a century back. But Yr Arwr is lengthy and not, to my knowledge, satisfactorily translated, so our month poem will be another recent poem called, appropriately enough, “war.”

 

Rhyfel

Gwae fi fy myw mewn oes mor ddreng
A Duw ar drai ar orwel pell;
O’i ôl mae dyn, yn deyrn a gwreng,
Yn codi ei awdurdod hell.

Pan deimlodd fyned ymaith Dduw
Cyfododd gledd i ladd ei frawd;
Mae swn yr ymladd ar ein clyw,
A’i gysgod ar fythynnod tlawd.

Mae’r hen delynau genid gynt
Ynghrog ar gangau’r helyg draw,
A gwaedd y bechgyn lond y gwynt,
A’u gwaed yn gymysg efo’r glaw.

 

War

Woe that I live in bitter days,
As God is setting like a sun
And in his place, as lord and slave,
Man raises forth his heinous throne.

When he thought God was gone at last
He put his brother to the sword.
Now death is roaring in our ears,
Shadowing the shanties of the poor.

The old and silenced harps are hung
On yonder willow trees again.
The bawl of boys is on the wind.
Their blood is blended in the rain.[1]

 

It is appropriate in many ways that Hedd Wyn’s first adjacent fellow poet here would be Francis Ledwidge–himself a proud Gael, and a poet of the working class conflicted about serving the English colonial master.[2] But there the similarities begin to fade. Although Ledwidge began in humble circumstances as an English-language poet from the Irish peasant class, he has risen, these last few years, with the help of a lord.

Today, a century back, Ledwidge wrote to Eddie Marsh, discussing which poems of his might appear in the next Georgian Poetry–Ledwidge is already a veteran of the second anthology. And he is a veteran soldier abroad, well-versed in keeping home in his thoughts, even in the trenches:

Just now a big strafe is worrying our dug-outs and putting out our candles but my soul is by the Boyne cutting new meadows under a thousand wings and listening to the cuckoos at Crocknaharna. They say there will be peace soon.

So they have been saying. The next bit is probably not begun in jest–Marsh will indeed visit the front, when Churchill does, but perhaps he will not have the eyes to see the sights (or the lights, as it were) quite like Ledwidge:

If you visit the Front don’t forget to come up the line at night to watch the German rockets. They have white crests which throw a pale flame across no-man’s-land and white bursting into green and green changing into blue and blue bursting and dropping down in purple torrents. It is like the end of a beautiful world![3]

Ledwidge, with his Gamgee-esque enthusiasms intact, will soon be marching North, from a quiet French sector over clogged roads toward Ypres.

 

And now one further break with convention. I have come across (in a biography of Thomas Hardy) a literary party at the home of J.M. Barrie that will take place at some point this month. Arnold Bennett will describe it, and in doing so he puts Hardy in exactly the light I have always imagined him. The party begins with friendly conversation between the Hardys and Barrie and Bennett. Later,

When darkness had fallen, they stood outside one of the windows, watching the searchlights: then more famous authors arrived, not without arising some irony in Bennett: “The spectacle of Wells and G.B.S. talking firmly and strongly about the war, in their comparative youth, in front of this aged, fatigued and silent man–incomparably their superior as a creative artists–was very striking.”[4]

It is characteristic of mere sorcerers that they fail to recognize a true wizard brooding in their midst.

 

And what if the actual fighting writers had been there? Ah, well–we can assume that Wells and Shaw would assume more modesty before a quiet young beribbonned officer than before the quiet, old, invisibly laurelled poet. Speaking of soldier poets…

 

Herbert Read and Siegfried Sassoon–a farmer’s son from Yorkshire and a gentleman of private means from Kent–have never met. And neither one has met the great shambling broken-down smoldering runaway firework-seller’s handcart that is Ford Maddox Hueffer.[5] Nevertheless, in what surely must be my most pompous and tenuous “crossing of paths” yet, these two most successfully aggressive trench fighters in all of modern poetry’s pantheon and this shell-shocked soon-to-be-the-author-of-perhaps-the-greatest-Modern-English-Novel were published alongside each other today, a century back: although one is training for an assault in France, another is rebelling against England, and another has been quietly stashed in a training unit, all three appeared in the London Gazette, each officially promoted to full lieutenant.[6]

 

References and Footnotes

  1. I have copied a strong translation, by A.Z. Foreman, from here--the link has spoilers.
  2. An only slight less apt and perhaps more interesting point of comparison would be Isaac Rosenberg, whom I recently placed alongside Ledwidge...
  3. Curtayne, Francis Ledwidge, 184.
  4. Blunden, Thomas Hardy, 155-6.
  5. I have been several months behind in his biography--but I hope to being him back in shortly!
  6. I discovered these facts in three biographies: presumably the Gazette itself is somewhere to be circled in red and marked with triple exclamation marks, but I haven't checked!!!.

Isaac Rosenberg’s Daughters of War; Francis Ledwidge’s Gods of Greece; Siegfried Sassoon Declares the Death of Youth

Some days we make do with an update and a diary excerpt or two… other days three important poets are writing about their minds and their methods.

Isaac Rosenberg posted a letter to Eddie Marsh today, which probably included a draft of his difficult, sui generis, mythological poem “Daughters of War.” It also contained an attempt to allay the perplexity the poem would cause:

I am now fearfully rushed, but find energy enough to scribble this in the minute I plunder from my work. I believe I can see the obscurities in the ‘Daughters’, but hardly hope to clear them up in France… The first part, the picture of the Daughters dancing and calling to the spirits of the slain before their last ones have ceased among the boughs of the tree of life, I must still work on. In that part obscure the description of the voice of the Daughter I have not made clear, I see; I have tried to suggest the wonderful sound of her voice, spiritual and voluptuous at the same time. The end is an attempt to imagine the severance of all human relationship and the fading away of human love. Later on I will try and work on it, because I think it a pity if the ideas are to be lost for want of work. My ‘Unicorn’ play is stopped because of my increased toil… It is to be a play of terror—terror of hidden things and the fear of the supernatural. But I see no hope of doing the play while out here. I have a way, when I write, to try and put myself in the situation, and I make gestures and grimaces.[1]

Of the play, more anon, I hope. And this almost touching personal detail is a reminder of just how difficult it must be to write poetry in the trenches, especially as a private. Of course he gestures and grimaces–and many writers talk to themselves, at their leisure, in rooms of their own…

As for “Daughters of War,” the poem has been long in gestation–Rosenberg sent an early draft to Gordon Bottomley in December–and it has been growing in power. Like the ancient poets who dreamt Valkyries and Amazons–and like David Jones and his Sweet Sister Death–Rosenberg summons up female embodiments of war’s power.

Space beats the ruddy freedom of their limbs,
Their naked dances with man’s spirit naked
By the root side of the tree of life…

I saw in prophetic gleams
These mighty daughters in their dances
Beckon each soul aghast from its crimson corpse
To mix in their glittering dances :
I heard the mighty daughters’ giant sighs
In sleepless passion for the sons of valour
And envy of the days of flesh,
Barring their love with mortal boughs across–
The mortal boughs, the mortal tree of life.
The old bark burnt with iron wars
They blow to a live flame
To char the young green clays
And reach the occult soul; they have no softer lure,
No softer lure than the savage ways of death.

We were satisfied of our lords the moon and the sun
To take our wage of sleep and bread and warmth–
These maidens came–these strong everliving Amazons,
And in an easy might their wrists
Of night’s sway and noon’s sway the sceptres brake,
Clouding the wild, the soft lustres of our eyes…

 

Next to this wrenching vision, full of sex and death, the melodious prose and harmonious rhymes of Francis Ledwidge seem to come from an entirely different war, a different era. They don’t, of course–they come from the same day. These are very different sensibilities: our two poets in the ranks and out of the working classes share very little else than those three facts of their identity.

Ledwidge wrote another letter to the prominent writer Katherine Tynan today, a century back, and it begins with a strange confusion.

19.6.17

This is my birthday. I am spending it in a little red town in an orchard.

Actually, it is not his birthday. Which goes a longer way to show one of the larger cultural and social gaps among our writers than a ream of commentary about Ledwidge’s rural roots or Lord Dunsany‘s reflexive condescension towards his Irish “peasant” protégé. It seems that birthdays were little regarded in rural County Meath a century and another score of years back, and even when he enlisted Ledwidge did not know the date of his birth. His mother, flustered, confused his and his brother Joe’s, or so the story goes. Our Frank Ledwidge was born on the 19th, but of August–his twenties have two months left to run.

Again I think of how this sort of confusion might have arisen in Rosenberg’s family too, with an absent father and Yiddish-speaking mother, or how Ledwidge and his surviving siblings might have shared, like Rosenberg and his brother, the “family suit.” But for such similarities there are more striking differences. Rosenberg is a child of the London slums. And Ledwidge?[2]

There is a lovely valley just below me, and a river that goes gobbling down the fields, like turkeys coming home in Ireland… I was down here earlier in the spring, when all the valley wore its confirmation dress, and was glad to return again in the sober moments of June. Although I have a conventional residence I sleep out in the orchard, and every morning a cuckoo comes to a tree quite close, and calls out his name with a clear voice above the rest of the morning’s song, like a tender stop heard above the lower keys in a beautiful organ…

If you go to Tara, go to Rath-na-Ri and look all around you from the hills of Drumcondrath in the north to the plains of Enfield in the south, where Allan Bog begins, and remember me to every hill and wood and ruin, for my heart is there. If it is a clear day you will see Slane Hill blue and distant. Say I will come back again surely, and maybe you will hear pipes in the grass or a fairy horn and the hounds of Finn…

Ledwidge also enclosed three new poems, “The Find,” “Stanley Hill,” and “The Old Gods:”

I thought the old gods still in Greece
Making the little fates of man,
So in a secret place of Peace
I prayed as but a poet can:

And all my prayer went crying faint
Around Parnassus’ cloudy height,
And found no ear for my complaint,
And back unanswered came at night.

Ah, foolish that I was to heed
The voice of folly, or presume
To find the old gods in my need,
So far from A. E.’s little room.[3]

 

Siegfried Sassoon has not written in his diary since beginning to work on his “declaration.” Today, a century back, he is very much still in declaration mode, railing angrily at the waste of the war and the evil cynicism of those who prolong it.

June 19

I wish I could believe that Ancient War History justifies the indefinite prolongation of this war. The Jingos define it as ‘an enormous quarrel between incompatible spirits and destinies, in which one or the other must succumb’. But the men who write these manifestos do not truly know what useless suffering the war inflicts.

And the ancient wars on which they base their arguments did not involve such huge sacrifices as the next two or three years will demand of Europe, if this war is to be carried on to a knock-out result. Our peace-terms remain the same, ‘the destruction of Kaiserism and Prussianism’. I don’t know what aims this destruction represents.

I only know, and declare from the depths of my agony, that these empty words… mean the destruction of Youth. They mean the whole torment of waste and despair which people refuse to acknowledge or to face; from month to month they dupe themselves with hopes that ‘the war will end this year’.

And the Army is dumb. The Army goes on with its bitter tasks. The ruling classes do all the talking. And their words
convince no one but the crowds who are their dupes.

The soldiers who return home seem to be stunned by the things they have endured. They are willingly entrapped by the silent conspiracy against them. They have come back to life from the door of death, and the world is good to enjoy. They vaguely know that it is ‘bad form’ to hurt people’s feelings by telling the truth about the war…

The diary continues, wandering into violent territory as Sassoon decries the bloodthirstiness of women and imagines a mob awakening to “lynch” the “dictator” who has plunged it into war.

The soldiers are fooled by the popular assumption that they are all heroes. They have a part to play, a mask to wear. They are allowed to assume a pride of superiority to the mere civilian. Are there no heroes among the civilians, men and women alike?

Of the elderly male population I can hardly trust myself to speak. Their frame of mind is, in the majority of cases, intolerable. They glory in senseless invective against the enemy… They regard the progress of the war like a game of chess, cackling about ‘attrition,’ and ‘wastage of man-power’, and ‘civilisation at stake’. In every class of society there are old men like ghouls, insatiable in their desire for slaughter, impenetrable in their ignorance.

Soldiers conceal their hatred of the war.
Civilians conceal their liking for it…[4]

 

References and Footnotes

  1. Collected Works, 375; Moorcroft Wilson, Isaac Rosenberg, 359-61.
  2. See Curtayne, Francis Ledwidge, 183.
  3. The Years of the Shadow, 294-6.
  4. Diaries, 175-6.

Siegfried Sassoon a Country Wanderer Once More; Wilfred Owen’s Faith Shifts: Christ is Literally in No Man’s Land; John Buchan in the Halls of the Great; Ralph Hamilton is Reassigned

Is the once and future thriller-writer Lt. Col. John Buchan taking to his role as head of the Information Office? He is. In France in April to win the acquiescence of Haig in his propaganda efforts, he is now working hand in glove with even more august personages.

16 May 1917. I was working till all hours yesterday. I had to go to the Palace this morning, for I have a shocking amount to do with Royalties these days. Then I had the War Cabinet in the afternoon and a long time with the Prime Minister; and after that correspondents and secret-service agents till all hours.[1]

 

Siegfried Sassoon remains ensconced in the charming, subtly galling precincts of Chapelwood Manor, Sussex. It’s the precincts that charm, however, and the priestess who galls–so today’s entry, heavy on countryside and light on human interaction, is a happy one.

May 16

For a while I am shaking off the furies that pursued me. I am an Orestes freed from the tyranny of doom. The War is a vague trouble that one reads about in the morning paper. The communiqués are almost insignificant. I no longer visualise the torment and wretchedness there.

The world is just a leafy labyrinth with clouds floating above the silence of vivid green woods and clean meadows bright with cowslips and purple orchis. My thoughts have the voices of the tiny brook that runs along the woodland, slipping and twisting over mossy stones, and bubbling out into a rushy field to gurgle merrily in its narrow bubbling channel.

I am a country wanderer once more—climbing gates and staring through tangled hedges at the mossy boughs of apple-trees laden with blossom, while the sun comes out after a passing shower. I roam the narrow lanes, light-hearted as a lambkin, emotionless as a wise gander. I desire nothing more than to stop and discuss.the weather with an old gaffer mending the gaps in a hedgerow. I could almost praise the Apostles Creed to the village parson if I chanced to meet him in the road, or saw him leaning over his garden gate as I passed. And the Sunsets are
yellow and serene—never dyed with crimson or hung with banners of war.[2]

This is too much, and Sassoon realizes it, of course. Hence the tongue-in-cheek gamboling: it’s so overdone that it becomes unsettling, as if some sort of overdecorated 18th century French baroque painting is being foisted onto unassuming, blooming Sussex. The landscape might pass with unaffected appreciation, but all these sun-drenched rosy-cheeked swains on swings, paradoxically, seem to remind us of the absent war, and the invisible, mud-caked, sallow-cheeked subalterns.

And this encounter with a wise old gaffer during a ruminative walk in the English countryside… it’s exactly like something Edward Thomas would write about. And yet nothing about the way it is written is anything like Thomas… Sassoon laughs, but bitterly, and he writes his country walk at a sharp angle…

 

This undated letter of Wilfred Owen‘s was probably written today–and if he seems confused, it is the fault of the bureaucracy: the 13th Casualty Clearing Station seems to have been reorganized around him, and shortly he will be in the same bed, but in a new Stationary Hospital… And yet perhaps he would be grateful for the metaphor: as he will explain in the letter, he has not altered in his Christian faith, but he feels the bureaucracy of his belief system shifting around him…

My own dear Mother,

Just had yours of Sat. Evening and was astonished to apprehend that the Great Shadow is creeping on towards Colin. What will he be next birthday, seventeen?

I wrote him a wholesome bit of realism in that last letter, as well as a fantasy in the language of the Auth: Ver: of 1611. I have changed my mind and see no reason why you should not have that letter and that fantasia…

I did it without any reference to the Book, of course; and without any more detraction from reverence, than, say, is the case when a bishop uses modem slang to relate a biblical story. I simply employed seventeenth century English, and was carried away with it.

Incidentally, I think the big number of texts which jogged up in my mind in half-an-hour bears witness to a goodly store of them in my being. It is indeed so; and I am more and more Christian as I walk the unchristian ways of Christendom. Already I have comprehended a light which never will filter into the dogma of any national church: namely that one of Christ’s essential commands was: Passivity at any price! Suffer dishonour and disgrace; but never resort to arms. Be bullied, be outraged, be killed; but do not kill. It may be a chimerical and an ignominious principle, but there it is. It can only be ignored: and I think pulpit professionals are ignoring it very skilfully and successfully indeed.

The letter rambles on into some stern criticism of institutional religion, both high church and evangelical. At first this reads rather as if Wilfred is concerned mainly to allay an sense of gross impiety that the letter to Colin may have imparted. He is not messing around with the Bible, he implies, but, rather, thinking seriously about how its precepts might apply. He is working up to a religious argument that rests on his own authority, as well:

Christ is literally in no man’s land. There men often hear His voice: Greater love hath no man than this, that a man lay down his life—for a friend.

Is it spoken in English only and French?

I do not believe so.

Thus you see how pure Christianity will not fit in with pure patriotism. I am glad you sent that cutting from Wells’ Book.

This would be The Soul of a Bishop, just out.[3]

I hope you understood it. I did not. Not a word of it can I make sense of. I would rather we did not read this Book. Now The Passionate Friends I found astounding in its realism but like all the great terrible books it is impossible to take sides. It is not meant to be a comfortable book; it is discussional; it refuses to ignore the unpleasant.

(This practice of selective ignorance is, as I have pointed out, one cause of the War. Christians have deliberately cut some of the main teachings of their code.)

Just as I was going to speculate that Owen is trying to disguise the reasonably radical (if logically irrefutable) opinion that pure patriotism and pure Christianity are incompatible by moving on to discuss secular literature, Own returns to his criticism. He blithely tacks away again into a discussion of his other reading material, but the point is made, and I do not think that his mother would consider it a light one, especially because it rests on that new source of authority: clergymen fulminating at home against the Germans do not understand what Christ might be like in the trenches, but Owen does. The experiential gulf has theological implications, now…

At present I am deep in a marvellous work of Hugo’s The Laughing Man. By the same post as your letter came two books from Leslie by O. Henry.

So I am well set up.

I am marked for the next Evacuation!!

…Many thanks for Punch, Yes Colin has been very good in writing to me. Keep him up to it. It will do him good, don’t-you-know! And as for me: they bring me Shropshire, even as yours bring me Home.

Expect me—before Christmas.

Your—one and only—Wilfred x[4]

 

Finally, a brief update on Ralph Hamilton, the Master of Belhaven. Hamilton began work today, a century back, in command of a new battery, part of the 106th Brigade, near Cassel. The transfer, he believes, is because he will shortly be promoted to command a brigade. The journey over the last two days was quite arduous, owing both to confusion about the location of the units and sub-standard railway porting–“I have got a lot of stuff… Bath and I… had to carry it ourselves”–but Hamilton made use of the day to get to know his new subordinates. The next task, of course, will be to announce his presence with authority…[5]

 

References and Footnotes

  1. Smith, John Buchan, 204.
  2. Diaries, 167.
  3. In two days' time, Patrick Shaw Stewart will mention to Ronald Knox, future clergyman and popular writer, that "[b]y the way, I have of course ordered [Wells's] new book about God, and we shall probably disagree violently about it.’ Knox, Patrick Shaw Stewart, 197.
  4. Collected Letters, 460-2.
  5. War Diary, 285-6.

Siegfried Sassoon Converses on England, and Sacrifice, with a Proper English Lady; Edwin Vaughan’s Patrol; Henry Williamson on Magazines and Mule Races; Rowland Feilding’s Scruples

Edwin Vaughan and his company commander had a minor adventure in No Man’s Land in the wee hours of last night, a century back. It left him feeling confident and accomplished… and eager to contest the ground with the Germans opposite.

At about 12 noon I woke and, while Dunham still slept, I wormed my out under the oilsheet which screened the front of our hole, and standing erect in the trench I met a fresh sweet breeze and clear, warm sunlight that made me glowing and alert in a moment.  Raising my arms in a luxurious stretch I rose on tiptoe and looked round the stretch of ground behind me–a slight valley of long coarse grass thickly strewn with poppies and dog daisies…

The calm and silence seemed as fragile, and the sky as dainty, as the picture on a Dresden plate…

What could go wrong? Vaughan visits his men in their posts as they while away the day reading, day-dreaming, or cleaning their rifles…

Not a sound could be heard but the tinkle of a button stick in the next recess, until without warning there was a mighty crash and a spray of earth and stones fell over us as we flung ourselves against the trench side.

A high-velocity shell bursting 30 yards in front had effectively broken the spell and as Wood climbed back into his recess, I hurried back to mine–not that these holes afford the slightest protection, except against small splinters, but as a rabbit seeks its burrow, so we each dash to our own hole for safety. Dunham was standing in the trench with a tin of pork and beans in his hand and a look of mingled surprise and indignation on his face.

In January this would have occasioned a day of cowering terror–but Vaughan is a tyro no longer. Mere whizz-bangs! This threat they laugh off, or wish away… and the day passes. Later, Vaughan goes out to meet Radcliffe, the company commander. They are out in the open, along a segment of the line where a rise in the ground screens them from German observation.

We were still in the open near the right post when I grabbed his arm and we stood motionless. I had heard the faint crack of a ‘grenatenwerfer’–forgotten since Biaches–and after a faint short swish the bomb burst with a sharp shattering crash and a spurt of yellow sparks–overhead!

Immediately a cold fear gripped me, for I realized instantly that there was no cover from these. It was no use lying down, for their burst was downward and they were immediately overhead. We waited for several minutes, and as the fire was not repeated I cheered myself by saying that this was only an accidental premature, and that the ground busters were quite harmless.

But this hope was soon shattered, for suddenly there came a persistent stream of them all bursting at the same height over our lines. The fragments whizzed past us and struck the ground with horrid thuds, and our nerves were terribly racked. But reaching my post we found the troops taking not the slightest notice of them, so in feigned nonchalance we strolled along, chaffing the NCOs and questioning the sentries until the ‘pineapples’ ceased–15 minutes later.

Another false alarm. Or, not so much false as… merely alarming. But the night’s business is still ahead: will they be able to assert their dominance of the wide swath of No Man’s Land, or cede it to German patrols and working parties?

Radcliffe was taking his patrol out from my right post, so I waited there while he went back to fetch them, then one by one we passed through the gap in the wire and crouched in the wet grass until the formation was complete. We advanced in jumps, Raddy and I creeping forward with a runner, scenting the ground for 50 yards at a time, and then sending the runner back for the patrol. After a while we got tired of this, so we left the patrol where it was and we two crept on alone until we reached a junction of two roads that ran across No Man’s Land. The road was sunken and as we approached we heard faint voices and, looking over the bank, there, hard at work digging a hole, were eight or ten large Boche.

This odd locution–are these singular-plural Boche beasts to be hunted?–is yet another sign of Vaughan’s new veteran’s posture.

We were neither surprised nor alarmed. We just lay watching them amusedly for a couple of minutes, then crawled off back to the patrol. I was wondering what on earth induced them to dig holes in No Man’s Land, when a figure almost upright hurried past us and was lost in the darkness behind. So we stood up then and ran back to where our lads were lying chilled, wet and fed up. Quickly we told them what we had seen, and in a moment they were alert and we set off together–out for blood.

Alas! When we reached the crossroads nothing remained of the working party but a few chalky shovels. Se we had to be content with firing a few rounds down the road after them, and then we walked back, laughing and talking, whilst four of the silly asses marched the shovels between them with great ceremony and exaggerated caution as though they were enemy prisoners

This little jaunt has left us with our tails well up, and I, for one, am very keen on No Man’s Land. I fully appreciate the truth of the maxim that was dinned into us during training–‘Fighting patrols are the finest stiffeners of morale’..[1]

Vaughan, who has been so honest about his fears and insecurities, can thus perhaps be trusted on this matter a bit farther than we might ordinarily credit a diary drafted in post-patrol exhilaration. And–while not hoping (if that makes any sense, here, a century on) for more violence–it is interesting to note that this confidence-building patrol produces neither useful intelligence nor some “positive” attritional score. It’s a riskier version of “live and let live,” and it is certainly good for morale, and/but no harm was done. So–good!

But other units would have counted the escape of these Germans on consecutive nights as a failure to be sufficiently effectively bloodthirsty.

 

We have several more writers to get to, and today’s letter from Rowland Feilding contains no similarly dramatic descriptions of military escapades. But it’s worth our time as an excellent example of what makes his letters to his wife so valuable. Their promised commitment to honesty is neither fudged for the sake of their worries nor elided for matters of convenience. This couple monitors the gulf between them with the scrupulous intensity of responsible inspectors of public works, and so keep their connection as strong as possible and maintain the future historical value of their correspondence.

May 15, 1917 – Kemmel Shelters.

I feel disappointed when I get a letter from you telling me of troubles with servants, whom war and the high wages of the munition works seem to have so thoroughly unsettled. I hate picturing you in the midst of such annoyances, especially as there is nothing I can say or do can help you. Contrariwise, this remark no doubt applies equally to my stories to you of the goings on here, and I often wonder if I am right in keeping the promise I made you when I first came out to hide nothing from you.

The very fact of my being here must cause you intense anxiety, and, as I am helpless in the case of the servant problem, so it is equally true that there is nothing you can do to deter the enemy from any villainy he may contemplate.

And I continue writing to you of all the dangers of the war, remembering that you once said that if I hid anything you
would know it, and only imagine worse things than were really happening.[2]

 

Other correspondents are less reliable, not to mention less considerate about their addressee’s feelings. Henry Williamson is in rare form once again. Yesterday, he wrote to his mother a letter that–for all that I skip the most repetitive ones–you may feel as if you had read before:

Dear Mother,

Thank you for the little letter. Of course you always pile the agony on, dont you. Why am I a hero? I tell you frankly I would rather be here than at home–because out here I cant spend money, and also I have quite as good a time. I shant be going in any more attacks–as it is proved, thank God, that a T.O. is essential to send up supplies, etc during one… Of course one may die any second by hostile shelling, but even then, one has a sporting chance of seeing the war through…

Well mother, will you please give an order to a newsagent…

Now please dont forget… For heavens sake let this be the last request for these papers. Well I cant write any more now. Love to all. Harry.

His timing is as impeccable as his deportment. Today, a century back:

My dear Mother,

Thanks for the two bundles of papers etc arrived today. By the way, you never answered my query about how many boxes of souvenirs you got–I sent two tin boxes off, then a box of helmets, then a sandbag…  what about the first box?

We are having tomorrow some sports in the Transport Section…

I am willing to wager a good deal that–provided the box of almost definitely not live souvenir grenades made it past the censors and through the post–Mrs. Williamson did away with them rather swiftly.

In any case, there’s no sign that the grenades made it into Williamson’s archive… although a program for this Transport Section sport competition did. There are twelve events listed, most of them some variation on a mule race…

Did Henry participate? Perhaps not. But in the novel Philip Maddison got second place, riding a mule named Jimmy…[3]

 

Two days ago I posed the question of whether Siegfried Sassoon, recuperating in what sounds like an impossibly pleasant environment, redolent of his prewar country idylls, can possibly progress in his writing–the writing that was increasingly focused on protesting the horrors of war.

Well, yes and no…

May 15

Marvell’s poems are the best vintage for these days of tranquillity. In the morning I wake to hear a gardener whetting his scythe beyond the yew-hedges. And I know that a tree of silver blossom shakes in the morning sunshine above his head, and a blackbird sings to all the world, crying that, life is fresh and sweet and jolly.

Ye glow–worms, whose officious flame
To wandering mowers shows the way.
That in the night have lost their aim.
And after foolish fires do stray.[4]

And in the afternoon I breathe the country air blown up from weald and wood—the smell of earth after rain, the kindest smell that ever came to make me glad.

All the morning I sit under oaks and beeches in the glory of young leaves, a book on my knee—John Morley on some eighteenth-century Frenchman, the kind of book where one can read a page or two and then turn to the morning sky and the garden and the distant line of downs as infinitely preferable, like listening to a bird singing, outside the church during a dry sermon) as one watches, the shadows of leaves and wings against the coloured windows…

It would seem, then, that the only things Sassoon might be inclined to write are backsliding pastoral poems or, perhaps, a time-travel jeu d’esprit in which he falls into a fountain and emerges dripping to hold a conversation with a young Marie Antoinette.

Well, yes and no. Here’s what comes next in the notebook:

 

A Conversation

He told her how he’d been trying to make up his mind. It was all quite simple; a tale re-told in many hearts. Twice he had been to the war, and twice had come home wounded; and now his friends had half-persuaded him to take a ‘safe job’.

She listened to him, with her grey hair and tired white face, kind, aristocratic and emotionless, leaning a little forward over a piece of embroidery. She represented the patrician distinctions that he had fought for—the climbing woods and green fields that soldiers learn to love when death is over them. She was a Great Lady. And he was only a poet; but he knew that life was taking shape in his heart, and reputation a thing of small value compared with his hidden passion, for utterance and truth and beauty. For a while he thought that she understood.

He spoke without reserve of his longing for life and the task that lay before him, setting against it his mystical joy in the idea of sacrifice and the disregard of death. ‘But death is nothing’, she said, putting away her high-bred reserve like a rich cloak; ‘Life, after all, is only the beginning. And those who are killed in the war—they help us from “up there”, they are all helping us to win.’

For a moment he was struck dumb: he had forgotten that he spoke to an alien intelligence, that would not suffer the rebellious creed that was his. She was a good woman as well as a Great Lady. But her mind dwelt in another kingdom from his. He was the starry wind on the hills, arid the beast writhing in the mire, the strange traveller who had come to her gates and had been suffered to sit by the fire and rest his tired limbs. What was this ‘other world’ that she spoke of? It was a dream he had forgotten years ago–the simplicity of his childish prayers, the torment of his mocking youth that denied the God of priests, and triumphed in the God of skies and waters.

She spoke again, kind yet unrelenting, from the dais of her noble rank. ‘It isn’t as if you were an only child, with a big place to inherit. No; I can’t see any excuse for your keeping out of danger.’ And again, half-compassionate yet still tinged with the prejudice of caste, ‘But of course you can only decide a thing like that for yourself.’ And he knew she was right. He was heir to a dukedom that would never exist in the Peerage that moulded her judgements. Had he been the only son of an accredited Lord Parnassus, she would have said, in her clear firm voice: ‘The name must be preserved; it would never do for the place to go to that impossible creature in Canada.’

I suppose it would do, here, to break in and remark that, while Sassoon is no duke–and while his first actual trade publication (not that should measure Parnassian accomplishment, but still) is only days old–it is still the case that his mother owns a considerable property in Kent, that he has always been rich enough to keep horses and hunt (and never work a regular job) and that his only surviving brother is currently in Canada… A century on, with the Lords and Ladies very much faded and their estates eaten up, donated to the National Trust, or, if preserved, likely to be dwelt in by aging rock stars or financial necromancers, it’s hard to comprehend that Sassoon could have so easily assumed that the fundamental class divide is on the far side of his own status…

In any case, here in the century-back, Siegfried Sassoon, recuperating in a Stately Home in Sussex, is gently, ruminatively nibbling on the hand that has been feeding him. And nibbles have been known to turn to worries… So where are we, the readers, in the satirical reception of this piece?

But she would pray for him with all the strength of her generous perfect-mannered soul. And when he had died of his wounds she would say: ‘He was such a good boy, I am sure he is happier ‘‘up there’’. And he did so splendidly.’

And he would rot in his shallow grave, with all his plays and poems blown away on the smoke of some senseless battle—because his name was not worth preserving, and his ‘place’ was only a little book of the songs he had made, bidding farewell to earth as he stood on the verge of his promised kingdom. For he was not even the younger son of an obscure barony; he was only a poet who used to read the Bible for the glory of the language.
But death forgives many things; and he had died for England, after all.[5]

There’s the satiric manner that all of London’s reviewers are now grappling with, anyway.

It would seem that the Great Lady of this sketch is very closely based on his hostess, Lady Brassey, who was a baroness, the sister of an earl, and the daughter of a viscount. Her serene spiritual confidence in the propriety of his getting killed seems to have rubbed Sassoon the wrong way, for some reason…  let us hope that there is less journal-thievery here than in other great houses…

 

References and Footnotes

  1. Some Desperate Glory, 117-21.
  2. War Letters to a Wife, 174-5.
  3. Anne Williamson, Henry Williamson and the First World War, 150-1; Love and the Loveless, 
  4. Andrew Marvell. ‘The Mower to the Glow-worms’, according to Sassoon's note--or not; Jean Moorcroft Wilson, Siegfried Sassoon, I, 567, notes that the reference is "almost certainly" to "Damon the Mower."
  5. Diaries, 164-7.

A Sunrise, a Hospital Barge, and a Ban on Pineapple Chunks from Wilfred Owen

A quiet day, for our writers, a century back. One letter from Wilfred Owen to his mother Susan will have to suffice–along with its verse enclosure, that is.

10 May 1917
13th Casualty Clearing Station

Dearest Mother,

…I sailed in a steam-tug about 6 miles down the Canal with another ‘inmate’.

The heat of the afternoon was Augustan; and it has probably added another year to my old age to have been able to escape marching in equipment under such a sun.

The scenery was such as I never saw or dreamed of since I read the Fairie Queene. Just as in the Winter when I woke up lying on the burning cold snow I fancied I must have died & been pitch-forked into the Wrong Place, so, yesterday, it was not more difficult to imagine that my dusky barge was wending up to Avalon, and the peace of Arthur, and where Lancelot heals him of his grievous wound.

I’ve already wondered whether there is not a bit of a false front here–can Owen really be so blessedly happy with a diagnosis of “shell shock” hanging over his head? But perhaps he can, as the comment about the march indicates. He has not yet been in any way dishonored, and he is neither marching with a pack nor in trenches. So he makes hay while the sun shines–which would have been a better joke if I had already indicated that this letter includes a draft of the poem “A Sunrise.”

In any event, there’s another poem clearly linked to today’s letter:

 

Hospital Barge at Cérisy

Budging the sluggard ripples of the Somme,
A barge round old Cérisy slowly slewed.
Softly her engines down the current screwed,
And chuckled softly with contented hum,
Till fairy tinklings struck their croonings dumb.
The waters rumpling at the stern subdued;
The lock-gate took her bulging amplitude;
Gently from out the gurgling lock she swum.

One reading by that calm bank shaded eyes
To watch her lessening westward quietly.
Then, as she neared the bend, her funnel screamed.
And that long lamentation made him wise
How unto Avalon, in agony,
Kings passed in the dark barge, which Merlin dreamed.

So I suppose it bears reminding that there are no straight lines from trauma to poetic innovation. This is no matter for a Roman road, but rather a rambling Celtic drover’s track, veering into history and fairy land… and, indeed, there certainly seems to be progress of a sort, here. There is music in this, of a sort that is rare in his earlier work: pleasant, side-wise rhyme and alliteration that is almost onomatopoeic–lazy barge music for a lazy barge song.

Although this poem is still to come, the Arthurian mood is certainly proper to this letter, and not cleanly divisible from the military milieu, either.

But the Saxon is not broken, as we could very well hear last night. Later, a real thunderstorm did its best to seem terrible, and quite failed.

The.next book for you to read is A Knight on Wheels. It is great.

Eh, I’m not so sure of that, but with a guilty conscience I must mention that this is a book by Ian Hay (Beith), whose The First Hundred Thousand is one of the most important mid-war publications by and on the British Army, but has made almost no impact here.

But let’s follow Owen’s train of thought: he’s got time, he’s written a poem, he’s a wounded warrior of sorts… what of service? what of his “contribution?” what of fame?

I, with the inherited diffidence of my distinguished Grandma, must say I could never do anything like so great.
I suppose in the million eyes of the Empire I have already done a thing greater than this merry book; but, then, more fools the million eyes . . .

This, perhaps, would be a good spot to interpolate the properly enclosed poem, straight-jacketed by diction, and with none of the easy command of the “Hospital Barge:”

 

A Sunrise

Loomed a pale Pearl more marvellous than the Moon’s,
Who thereby waned yet wanner than she was.
Because of the pallor of the Pearl of dawn,—because
Her Pearl was whiter than the wan, worn Moon’s.

The Pearl cleared Opal; Emerald eftsoons.
And the Emerald trembled peerless for an hour.
Till shower’d with shimmering Sapphires. (Their blue shower
Burst keen and brilliant as the first birds’ tunes.)

Then slowly through the shaking jewels of dawn.
Moved the immutable Ruby of the Sun,
Hung the immortal Ruby, huge with morn.

And the Moon was finished like a reel unspun.
She vanished as a Pearl that falls in wine.
She died: like the white Maid that once was mine.

 

There is some deftness here, rhyme-wise… but this is not the sort of stuff that–even imagining that the traditional register holds the field entire–will win fame and honor.

The fundamental fact, here, I think, is that Owen is in something of a holding pattern–whether he is really loving this interlude (The Idylls of the Subaltern?) or whether he is putting on a brave face for home and for himself to cover his anxiety–he is still awaiting a double verdict: will it be blighty, or back to the trenches? And are his “nerves” an acceptable war wound or a sign of weakness?

The letter leaves literature for the milder balm of the gossip of daily life–not that talk of food shortages, however light-hearted, is a cheery subject.

How are you rationing? The French hereabouts subsist chiefly on Dandelion Salad. I am not joking. The young leaves with oil make an excellent supper. Tell me how you find it.

I live mainly on Pine Apple Chunks. There are going to be certain things Afterwards which will be held by all who love me in everlasting TABOO,

One of these is Pine Apple Chunks.
Another is a lead pencil on bad paper.
Another is the smoke of a damp wood fire…

All Love from your very own Wilfred x[1]

 

References and Footnotes

  1. Collected Letters, 456-7.