Rowland Feilding Pays His Respects on the Somme; Siegfried Sassoon Reads Its Subaltern; Charles Carrington’s Subaltern’s War in the Valley of the Shadow of Death

Today, a century back, is another one of those days when everyone is a-doing or a-writing, or both, and more than once. In order to keep things under 5,000 words, we will catch up with Edmund Blunden‘s battalion in rest in a few days’ time, and with Ivor Gurney too, hospitalized and hypergraphic.

Moving selectively, then, through a few updates and wandering letters too interesting to postpone, we will shortly arrive at Charles Carrington‘s intense and intensely written experience of the new phase of the Passchendaele battle.

But what better way (in a measure-the-real-reach-of-memory project), to approach a new apex of intense and traumatic combat than to visit last year’s crucible of suffering and destruction?

So, before we even approach today’s battle in the Salient, we will read just a few atmospheric bits of Rowland Feilding‘s remarkable letter to his wife. Feilding had been on leave and now, returned to his regiment, has transferred to the Somme, quiet now, where–very much like Ralph Hamilton only two weeks ago–he picks over the gruesome and unsettling remains of the battlefield.

…it has been a wonderfully interesting though a melancholy day.

The notorious villages–Guillemont and Ginchy–are conspicuous by their absence. I can truthfully say I have never seen a whole brick…

Miles of devastation and deserted ruined villages and shell-holes–all grown over with weed and grass. Not a living creature but the magpies…[1]

The ground is just as it was left, thickly littered with the debris of battle. Rifles with the bayonets fixed lie as they were dropped… perforated shrapnel helmets…

A land whose loneliness is so great that it is almost frightening. A land of wooden crosses, of which, wherever you stands, you can count numbers dotted about…

After miles of this I came upon the first living human beings–parties of the Salvage Corps, working forwards from the old battle line… These are mostly coloured men, who have come from all parts of the world. The first party I saw was composed of Burmans from Mandalay, and, dressed as they were, with woolen Balaclava helmets pulled down over their heads and shoulders, cringing from the wet and cold, they looked like the ghosts of the dead.

Further back, I came upon the work of the Graves Registration Unit… Its job is to “prospect” for the dead, and, so skillful have its members become at detecting the position of a buried soldier, that their “cuttings” seldom draw blank.

After visiting one of the minor miraculous Virgins of the battle–this statue is since toppled and beheaded–Feilding searches out his comrades:

I then wandered through one of our cemeteries at Guillemont, and saw Raymond Asquith‘s grave, and those of one or two Coldstreamers I knew.[2]

 

Siegfried Sassoon is also dwelling on the Somme–specifically, on a Subaltern on the Somme–in a letter, this time to Robert Graves, that covers  rather similar to yesterday’s (which was also to Robbie Ross).

4 October

My dear Robert,

Thanks for photograph. It is like you, except the forehead, which looks so flat and receding. I believe you
washed your face before being taken! Hope you didn’t catch cold. You might write to me when you aren’t too busy. I am reading Bill Adams’s book. If you and I had re-written and added.to it it would have been a classic; as it is it is just Bill Adams—and a very good book—expressing bis quiet kindliness to perfection. He saw a lot through those spectacles of his.

Note to self, and to writerly comrade: “Royal Welch War Memoir: promising project.” Or not–all Siegfried’s attention is to verse:

The Nation quoted my ‘syphilitic’ poem in an article on ‘Venus and Mars’ last Saturday.

I am on the way to doing a good, long poem in blank verse—sort of reminiscent of the wars, with stress on the heroism of Private Morgan-Hughes-Davies-Evans-Parry. But I can’t get a room alone, and 8-11 p.m. is my brainy time, so I am rather hung up at present. Rivers returns on Friday, I hope. He has been rather ill.

I have been playing golf every day with a chattering R.A.M.C. man who is a very fine, player—partly to try and become immensely healthy, but mainly to escape from the truly awful atmosphere of this place of wash-outs and shattered heroes. Result: go to bed every night tired and irritable, and write querulous peace-poems.

Love from S.S.[3]

There’s an answer here to a question we may not have asked yet. How does the suffering of war change the sufferer? Does he become more sympathetic to the sufferings of others?

Too broad a question, of course, and even a general affirmative answer must come with a large caveat: war traumatizes and brutalizes many of those it damages, turning them into abusers or themselves or others; in a small minority of men it seems to unleash psychopathologies that might have otherwise lain dormant. But a qualified affirmative also might be usefully clarified thus: it does make men more sympathetic to suffering, but other aspects of their personality determine how far–and to whom–they are willing to extend that sympathy. Left-leaning thinkers who pass through the war might become radiant pacifists; buttoned-up scholars might find themselves able to write movingly of love and loyalty among men from different stations; and a guarded, solipsistic man like Sassoon might find himself moved to write passionately on behalf of a class of men he would otherwise have more or less ignored–but not to extend that sympathy much further than comrades and the men under his own command.

 

And now to Ypres. C. E. Montague witnessed the battle, and wrote–desultorily, but not heartlessly–of a battle piece seen on a ridge. This can serve us as a very brief starter for today’s main course:

Oct. 4–Third Flanders push; battle of Broodseinde.

Up at five, drizzling rain. No breakfast. Out with Gibbs to near Wieltje to see battle. Fine battle-piece on S. part of Passchendaele Ridge. Our guns thick—needs care to thread way between them. Germans dropping fair number of H.E. shells our way, but no gas. Great trains of wounded and prisoners coming in, and a track of bloodstains all along the road. Some of wounded have evidently died on the way.[4]

 

This would be the “Battle of Broodseinde,” which plays a major part in Charles Carrington‘s memoirs, of which there are two. One describes his mental state as he began the battle thusly:

Always a little schizophrenic… I had now withdrawn myself altogether, leaving a Zombie in command of ‘B’ Company, the 1/5th Royal Warwickshire Regiment. I knew that my luck had turned. I felt sure that I should not survive the next battle… Meanwhile… the Zombie was a quite good company commander…[5]

But that is further retrospect. Nearer to the battle, “Charles Edmonds” described today’s action over many pages, and depicts himself as neither a zombie nor an entirely living man. The account begins, as all attacks now must, with the massing of troops and the approach to the line on the night before:

Towards dusk we marched out by platoons. Men going into action support themselves by a sort of enforced hysterical cheerfulness, but no one could be cheerful in the Third Battle of Ypres…

As always, when anticipation at last gave way to action, I found my mind clearing. The mental numbness of the last few days had given place to a numbness in the pit of the stomach. I was not now afraid, though I had a growing presentiment that I should be wounded.

The next bit of pilgrim’s progress is a review of the past two months: out through Ypres, over the canal, and toward the Steenbeck (Or Steenbeek):

As we approached St. Julien there was some confusion when platoons lost touch; mules and men and wagons crowded in the narrow way, until where the culvert passed over the Steenbeek the traffic jammed, shoulder to wheel. This was a windy moment, for on this line the Boche guns were laid and here from time to time they dropped hurricane barrages of shell-fire. Indeed, a few shells had already fallen to our right, and massacre might come at any minute; but we got through in safety. Beyond the Steenbeek there were no roads: guides led us by marked tracks among the shell-holes…

To find the way in the dark was a task worthy of Bunyan’s’ pilgrim: ‘ the pathway was here also exceeding narrow, and therefore good Christian was the more put to it; for when he sought in the dark, to shun the ditch on the one hand, he was ready to tip over into the mire on the other.’

The quotation continues for some time, as well it might. We are in the heart of what Paul Fussell called “the one book everybody knew:”

Front-line experience seemed to become available for interpretation when it was seen how closely parts of it resemble the action of Pilgrim’s Progress.

John Bunyan’s Protestant religious “Romance” had soaked into the British cultural atmosphere long before, and it has been used as a paradigm, a crutch, and a point of entry by many war writers since at least 1915. But now it is becoming inescapable, and I find, in going back to Fussell, that he featured the above quotation, letting it run on to give a sense of why this “Romance” is so applicable: its “scenes of hazardous journeying” go on and on with no decent respect for “plot” (i.e. strategy) or the limits of human endurance such as familiarity with the novel would lead us to expect.[6]

 

And for “Edmonds” and his company, the day’s journey hasn’t even begun. They wait nervously for Zero Hour, but the wait is made terrible by the fact that a German barrage opens up on their position. It’s unclear if this is coincidence or evidence that the Germans have precisely intuited the timing of the British attack. Soon the German barrage is answered, and Carrington launches into a present-tense battle piece that aims to catch something of the ferocity and insanity of close-combat.

It is no coincidence that describing not only death but morally questionable killing in the present tense allows it to seem to slide pace the cold judgment we might wish to pass on something stated in the perfect or simple past. This war was, but it wasn’t, exactly: it is, its violence happened in an ongoing, unstoppable present that nevertheless feels faster than ordinary experience::

Suddenly the sky behind us threw up a stab of flame! A roll of thunder like the last trump itself opened with some few single blows and steadied into a throbbing roar. The shells screamed overhead so thick and fast they seemed to eclipse the sky as with an invisible roof, rumbling like earthquakes behind, crashing like a thousand cymbals before us, a pillar of fire against, the dark sky, a pillar of cloud against the dawning east—leading us on!

It was zero hour and our barrage had fallen, blotting out the German bombardment with a drumfire forty times as great; there was no more thought or feeling, no more fear or doubt; only an endless blast of sound; a flicker of flame in the sky, a roaring and howling of shells over our heads, and a smoky pall of shrapnel.

My brain cleared though my ears were singing; the plan stood in my mind like a picture: I wondered how many men were left to carry it out. We must follow hard on the barrage and be on the enemy before they had recovered from
the first shock of it. I jumped out of the trench, shouting to my little group, and together we stumbled forward towards the enemy. Behind me came Serjeant Walker, my servant Stanley, three runners, Lewis, Campbell and Greenwood, and then the signallers struggling with their gear and quickly falling behind. Looking round I can see no one else, no sign of human life or activity; but who cares? Skirting round shell-holes, and straggling over rough ground in half darkness, our group loses all order and trails after me in single file. There looms up in front a bank undercut by a row of dug-outs, familiar enough by the map. I draw my revolver, but they are smashed and empty. Over and on behind the thunder and lightning of the barrage. (Like cannon balls rolled down sheets of iron over our heads.) One is thankful for a steel helmet.

Through the tumult I isolate a distinct noise, a spitting, a crackling, like children’s fireworks. Rifle bullets! Phut! Phut! Small arms indeed! We look about vaguely. It seems to have grown already a little lighter, so that lumps loom up irregularly in front thirty yards away—half left. Heads! Three or four heads of Boches in a shell-hole shooting at us! We see them together. Stanley shouts and brandishes his bayonet. Then I see Campbell lying curled up and grey-faced at my feet. Why, he’s dead!

And by God, they’ve hit ‘Tiny’ Greenwood. He is staggering about and bellowing, his hand on his chest. Stanley catches and lowers him to the ground behind the stunted ruins of a hedgerow which gives a little cover. Crack, crack, crack, come the bullets at thirty yards’ range, aimed more distinctly every moment as the light grows and the barrage lifts ahead. The enemy are even near enough to throw a bomb, Stanley and I fumble with field-dressings. There are now only three of us and three or four Boches shooting at us from cover. At least let’s quiet this poor lad’s confounded roaring and then make a plan. Poor ‘ Tiny ’ Greenwood, the smallest man in the company and the willingest. I remember my morphine tablets and give him one, two and three till he is silent. Stanley rises and shouts again, “Come on, sir, let’s go for the swine.”

“No,” I say, “get down in this shellhole,” and I am right. There is no chance for three men to charge three over the mud and pitfalls. Stanley plucks me by the sleeve and says plaintively. “Aw, come on, sir.” Walker and I get down in the hole and begin to shoot though Stanley stands and calls us once more. “Come down, you fool,” I order him. Then he comes down, slithering on the edge of the shell-hole, dropping his rifle with a clatter. A bullet has hit him in the eye, smashing his left brow and cheek-bone into a ghastly hole. I am dumbfounded with rage and horror. They have got Stanley, best of friends and loyallest of servants, and my last orderly. Walker and I are pent up in this hole and dare not move. Stanley is dead, who has always supported me, Stanley who gave me confidence in myself.

I sat stupidly in the half-light, not looking at my servant’s body, and then vaguely imitated Walker, who was firing on the Boches when they showed their heads. I must have emptied my revolver before this time, and now picked up
Stanley’s rifle, coated with mud from fixed bayonet to stock. With difficulty I fired a round or two, wrenching at the clogged mechanism after each shot. Walker gave a cry of joy as he got one Boche through the head, but one or two more ran up from neighbouring shell-holes and made the odds still heavier against us. Still our own guns thundered overhead, and now, the German guns began to reassert themselves, dropping a few shells experimentally in their own lines, which they guessed had fallen into our hands.

The stubborn group confronting us still held their place under fire of their own artillery. Ceasing to fire at us except when we showed our heads, they sent up signal rockets to give their position to their own observers. But for the roaring of our own shrapnel two hundred yards away, there was no sign of English activity. No other Englishman could be seen or heard, and, fatal event, we had ‘lost the barrage.’ In the midst of a great battle ours was an independent duel. Down in a shell-hole where the view was restricted by towering ridges and ramps of thrown-up earth, we had the limited vision of the mole. There must have been ten thousand men hidden in the landscape, though we had not seen ten.

I began to wonder whether our attack had been destroyed and was to be the tragedy of to-morrow’s communique in the German Press. “Yesterday after intense drumfire the English attacked east of Ypres and were driven back to their lines by our gallant ‘field greys’.” Perhaps, even, my own group was the only one which had advanced, in which case we might be able to hide here all day and creep back at dusk, to the remnants of the shattered battalion. How could the day be not lost now that the shrapnel banged so far ahead and no one seemed to be advancing? As we waited in the broadening light time passed—seconds or hours, we had no conception, till we heard voices behind us, a Lewis-gun rattling, and a reserve platoon at hand. I shouted to them to support us by outflanking this group of Germans, and as we opened fire again, invisible Lewis-gunners crept closer over the mountainous shell-holes. The Boches ceased fire.

At that moment Walker leaped up with a shout and began to shoot in a new direction. Following his aim I saw straight to the front and a hundred yards away a crowd of men running towards us in grey uniforms. Picking up another rifle I joined him in pouring rapid fire into this counterattack. We saw one at least drop, to Walker’s rifle I think, then noticed that they were running with their hands held up. Laughing, we emptied our magazines at them in spite of that, but at this point one of my favourite N.C.O.s, Corporal Fell, came tumbling into the shell-hole, hit through both thighs and bearing the pain with no more than a grunt or two. While I was trying to bandage his four wounds with one field dressing, and he to explain how his Lewis-gun had appeared to save us, I forgot the crowd of ‘ Kamerads.’ Just as I was telling him to crawl home as best he could, twenty or thirty Germans came running up with that shambling gait and bucolic manner I had always noticed in them, emphasised by the awkward gesture of their raised hands. The nearest had not seen me in the shell-hole, and as he approached, noticing a red cross on his arm I reached up and pulled him up short by the skirt of his greatcoat with a jerk that frightened him out of his wits.

“Ambulance,” I said, pointing to the wounded corporal. Then hardly stopping to see more. Walker and I rose, collected the Lewis-gun and its team and continued our advance. The surrendering Germans carried back our wounded men and we barely noticed in the excitement that the four snipers who had held us up so long slipped into the crowd of captives and went away with them. We should certainly not have given them quarter if we had thought of it in time…

Carrington’s honesty is not, I think, tinged with either shame or braggadocio. Shortly thereafter–this is the part of the battle-day, now, which involves memorable incidents rather than unforgettable, intensities crowded into swift, endless minutes after Z Hour–this curious reunion takes place:

I halted to write a report and mark up a situation map; then leaving my Lewis-gun with the serjeants I continued to advance with Serjeant Walker and two or three men. On our right were Colonial troops attacking in much greater strength than ours, so that my own front looked empty but theirs crowded with men, and before long one of their platoons came straying across my front. It suddenly struck me that the platoon commander was a friend whom I had not seen since I was a child; I seized him by the hand and introduced myself. As we exchanged civilities I became aware that we were under machine-gun fire. I was explaining that he had gone astray when this diversion occurred in his proper direction, and hastily clapping him on the back, I sent him off with his men to strafe the machine-gun, an order which he willingly obeyed. This odd incident, evidence of the unreal state of mind engendered by the excitement of battle, passed from my memory, to drift up again into my consciousness a few days later, blurred like the remembrance of a dream so that I have never been able to recall my old friend’s face and do not know who he was. At least the machine-gun shortly ceased to fire.

Carrington’s company now moves onto this section of the map, from the lower left toward the upper right, across the line of the Steenbeek. The most striking thing about Carrington’s tale of terror and death is, perhaps, that it is describing a tactical success:

Crossing the bridge we deployed half left and advanced up a slope towards some wreckage which we took to be Albatross or Wellington Farm. Under heavy shell-fire and some distant machine-gun fire we skirmished up the slope from hole to hole, till Flint reached the ruin and dugout that we thought was Wellington; but to our surprise it was already in English hands. It had been taken by a platoon of A.Co. who were delighted at having captured a German anti-tank gun. For the last few minutes the battle had really been proceeding according to plan. Still like a man in a dream I had been commanding and even manoeuvring considerable bodies of men, mostly, it must be admitted, of neighbouring companies. The advance was orderly and regular, and recorded in formal written messages which I sent back at intervals to headquarters; and we were near our objective…

We selected a large shell-hole under the lee of the broken pill-box of Winchester for my few men and those of the 16th, and settled down to resist the probable counter-attack. Soon Hesketh, an officer of the 16th, arrived with a Reserve platoon and my handful became an insignificant detail of the defence…

There was very little for me to do except to send even Serjeant Walker away to look for any more of my company. We were disappointed to find that a large party of men moving up in artillery formation was not our second wave but D company, all of whose officers were hit and who were now lost. Then a trench mortar battery came forward to take up a position near us; but no third wave passed through to follow the barrage which now fell three hundred yards ahead.

The morning wore on. Attackers and defenders at this point had spent their force. We had got our objective and were too ludicrously weak to move again. A few shells were coming over and a persistent sniper fired occasionally, his bullets crashing into the ruins of the pill-box beside us…

Towards midday, the enemy shelling really began. Black shrapnels crashed overhead and huge crumps burst round us among the ruins. We all crouched down in our one huge shellhole, which I began to regret, as a single shell in it would kill us all. One or two men were hit; especially, I remember, one who was standing up with his sleeves rolled up, when a shrapnel burst right above us. A sliver of steel came down and hit him lengthwise, on the bare forearm, making a clean cut three inches long between the two bones, as if his arm had been slit with a knife. To my horror the wound gaped open like a freshly cut shoulder of mutton. Though this was as ‘cushy’ a wound as man could desire, the sight of it cured me of hoping for a ‘blighty one.’ The victim agreed with me, for he danced and cried out with the pain.

My Lewis-gunners were now in position close by, and it seemed that the best way to reduce the crowd in the shell-hole was to go away myself. Hesketh didn’t want me and showed it; goodness knows, I didn’t want to stay there; so, by agreement with the major who passed that way again, I decided to leave my Lewis Gun section with Hesketh while Serjeant Walker and I withdrew to Stroppe Farm to pick up stragglers, and reorganise. So Walker, Bridgwater and I turned back down the hill through very heavy shell-fire, across the Stroombeek, and over the plain, now scattered with grey drifting clouds of smoke from high-explosive shells. Hardly out of the swamp we ran into Lance-Corporal Reese of No. 7 platoon with a few men and another gun. They were all that was left of the platoon, and had dug in, satisfied that they had reached their objective.

At last we got back to Stanley’s body, where I stopped not without a shudder to remove my glasses, all spattered with brains and blood, from his shoulder; I had to leave the strap, which was too gruesome to carry. Then we found our company stretcher-bearers performing prodigies of work, in spite, they were convinced, of being under deliberate German shell-fire, and using the little trench where I had visited one of my platoons last night as a rendezvous…

After taking stock of his company, Carrington decides to report in person to Battalion Headquarters.

Always very nervous when alone under shellfire, and badly shaken after the day’s experiences and the bombardment at Winchester, I found the walk of two or three hundred yards to Victoria Farm terrifying. Shells seemed to pursue me up the slope, and catch me when no deep shellhole was near. I floundered in oceans of kneedeep mud and flung myself flat, when one shell fell close, on what looked like fairly solid ground, but turned out to be as thin as half-cooked porridge. So the whole front of me from the chest down was soaked through and coated with slime. At last I struggled up to the little half-broken pill-box called Victoria and went in. The Colonel and Adjutant were plainly very pleased to see me. From their account I was able at last to get some sort of general picture of the battle. All our objectives had been reached and a hundred and fifty Germans taken prisoner, but at a cost in casualties which had shattered the battalion. All the severest fighting had been in the first few minutes, which had seen a score of petty duels like my own, group against group among the shell-holes. Most of our officers and N.C.O.s were hit, and until I came they had counted me too a casualty, all the messages which I had proudly composed in such careful military form having gone astray.

They gave me the good news that Thorburn, my reserve officer, had been sent for and would join me to-night, and the bad news, too, that, casualties or no casualties, we were not to be relieved for three days. The Colonel suggested that when Thorburn arrived I should come and join them in the dugout to get some sleep. Then he came out with me and we returned to the remnants of my company.

More tragedies! While I was away Whitworth had been sitting above the trench talking. In the dusk he was suddenly silent. No one had noticed a shell splinter from some far-away burst fly over and hit him in the head. He was breathing when we arrived, but, the stretcher-bearers said, as good as dead already. Nevertheless, they took him down to the dressing-station. The poor devils were beat after saving lives all day.

Then I settled down in the little trench, about twelve feet long and six feet deep and wonderfully dry, to wait for Thorburn who arrived with a runner about eight o’clock very cheery…  We agreed that our conversation a week before had proved prophetic: the battalion had taken a  nasty knock this time. Leaving him in charge I returned to Victoria, where the C.O. shared a tin of hot food with me, my first square meal that day.

The day ends with another tale of death. Carrington has lost friends, and he has seen scores of men killed, deliberately and by the great impersonal scythe of the artillery. But this strange and terrible story, hung all the way at the end, is deeply unsettling, like a reminder that even those who survive will have come too close to madness:

Armstrong, the intelligence officer, took me in hand with an endless story about himself, the C.O. and a wounded Boche.

“When I was going round with the C.O. this morning after you’d gone over we found a wounded Boche lying in the mud—down there by the Stroombeek where you couldn’t get him out. He was dying, I should think.”

“Yes,” said I sleepily, “there were hundreds.”

“Well, this one,” Armstrong continued, “he was done for, squirming, the poor devil was, and anyhow there was no chance of getting him down to a dressing-station from there. Best to put him out of his misery, you’d say, wouldn’t
you, Edmonds?”

“Yes, I suppose so; let’s get some sleep.”

“Oh, well,” said Armstrong, “just wait. Damn funny it was. We found this Boche; there was the C.O. and me and a runner; and the C.O. said to the runner, ‘You’d best shoot the poor fellow,’ and the Boche just lay there and groaned. He knew. But, you know, the runner couldn’t do it. He unslung his rifle and fingered the trigger and just couldn’t do it. So the C.O. turned to me and when it came to the point no more could I: so the C.O. drew his gun himself and went up to the Boche and looked fierce, and the Boche squirmed and I’m damned if the C.O. didn’t weaken too. Damn funny, wasn’t it? And we just left him there, so I suppose he’ll die in the mud to-night.”

But by this time I was asleep, having found a quiet corner. It was luxury for five of us to lie down on a concrete floor in a cellar only fifteen feet square and with no door, that chilly autumn evening.[7]

 

References and Footnotes

  1. So few are our references to birds, these days!
  2. War Letters to a Wife, 208-10.
  3. Diaries, 188-9.
  4. C.E. Montague, 191.
  5. Soldier From the Wars Returning, 191.
  6. The Great War and Modern Memory, 135-41.
  7. "Edmonds" (Carrington), A Subaltern's War, 132-55.

The Grenadier Guards Dig In; Edmund Blunden is Back, and then Out Again; C.E. Montague Will be a Better Writer

None of the Grenadier Guardsman who came up to the line last night, a century back, would have been surprised to learn that there will soon be a renewed attack in their sector. Carroll Carstairs describes a day of preparation and careful negotiation of the Salient’s grim landscape.

The following day the Company received orders to extend to the right. Company Headquarters was to move to the extreme right of the Company in a block-house between the road and the railway, and the Company would thus  occupy a wider frontage. We were informed that the division on our right flank was to attack on the 20th, and as the British bombardment would begin about three in the morning, it behoved the Company to be dug-in before that time.

At nightfall three platoons “felt” their right and dug, while Company Headquarters took an unusual time to travel its few hundred yards in a dark night, over a country with no remaining landmarks but the block-house itself that we had to reach. An occasional flare faintly radiated a morass of shell craters, as we slipped and floundered over its wet, uneven surface.

The officers’ servants actually took from 7 to 2.30 to cover the distance. Three days’ rations were distributed and at 1 a.m. I went along the line and found everyone dug in. I returned, feeling the quiet ominously, because of the noise that would soon begin. We waited, with more frequent looks at our watches than the passage of time required. An uncanny stillness reigned.[1]

 

Edmund Blunden has been fortunate to miss much of this sort of thing, lately–and it seems his good fortune will continue. He had been on leave, and then on a signals course.

This period ended, I returned to the battalion, not without difficulty, for they had been on the move. The first news I had of them, on arriving at a place where they had been, was from a transport driver, who said they “were going over the top in the morning.” The suggestion was crushing, for my servant and myself had already been carrying our burdens along for miles, and it was still many kilometres to the front. At the end of another dusty trudge we found the Transport Officer, Maycock, friendliest and most impulsive of our officers, who told me I should ride up to the battalion with him, and we set off at once. The battalion was drawn up in a field by the scanty ruins of Vierstraat, nearly ready to move; the sun shone with autumn light on the dun uniforms, and sack-clothed helmets, and broken trees with yellowing leaves, and trodden strings of grass underfoot. Tea was passing round among the companies. To my surprise Colonel Millward, though hailing me affectionately, did not want me for the coming tour in the line, and I found myself riding away with Maycock, while the battalion marched into the ruins of Hollebeke and Battle Wood.

So Blunden’s good fortune will continue, for another little while. But the day, alas, remains memorable–and dateable, as so often, from its disasters:

It was then that a shell fell among the headquarters staff on the way up, and killed Naylor,[2] the philosophic and artistic lieutenant who had served in the battalion almost all my time, whose quiet presence was a safeguard against the insolence of fortune. Another shell, bursting on a small party of non-commissioned officers as they were about to leave the trenches after relief, robbed us instantly of Sergeant Clifford, a man of similar sweetness of character and for months past invaluable in all necessities. These losses I felt, but with a sensibility blurred by the general grossness of the war. The uselessness of the offensive, the contrast in the quality of ourselves with the quality of the year before, the conviction that the civilian population realized nothing of our state, the rarity of thought, the growing intensity and sweep of destructive forces — these views brought on a mood of selfishness. We should all die, presumably, round Ypres.[3]

 

Misery, suffering, disenchantment, trauma, and a violent death so likely it seems inevitable. Why? What could possibly be worth it? But that is an unanswerable question. Better to ask a less total, less divisive corollary, a small echo of the bigger question: what good might come of it? They are all experiencing war, and they are all writers, and much of what we read–Blunden’s memoirs far from least–is a tacit answer to the question. C.E. Montague, writing to his wife today, a century back, addresses the question directly:

Sept. 18, 1917

I just long, too, to be writing again. I feel, conceitedly, that I could write so well now after all this change and new experience. I feel there are some futile tricks I used to have in writing that I should not fall into again, and also that I have got to understand better than before the mind of the sort of person who is nonliterary and yet good to write for…[4]

We’ll just have to wait, then, a century back…

 

References and Footnotes

  1. A Generation Missing, 99-100.
  2. The CWGC lists Naylor's date of death as occurring six days on, but whether Blunden is mistaken in remembering both shells hitting on the same day or whether Naylor died six days after being mortally wounded, I do not know.
  3. Undertones of War, 234-5.
  4. Elton, C.E. Montague, 195.

C.E. Montague’s Tirade for Truth; Edmund Blunden Borrows an Ypres-in-Autumn Scene from a Certain Poet-Historian

C. E. Montague is in a ticklish position. A journalist strenuously devoted to the truth, he has been detailed to act as a censor and passive propagandist. But he will keep his integrity intact, not to mention his ire at those who choose, for reasons other than military necessity, to circumscribe their experiences in their personal writing. Our writers-of-letters tend to divide pretty squarely between those who will not write the worst home (often to mothers or sweethearts) and those who unburden themselves completely (often to wives), in the fervent hope that an experiential gulf will not make it impossible to go home again, as it were. Montague is emphatically of the latter camp:

Sept. 5, 1917

I’ve noticed… a sort of assumption, as a matter of course, that everybody writing out here keeps back all sorts of untold horrors of physical suffering from people at home. I can’t understand this a bit. Of course, just as in ordinary life one does not go out of the way to describe details of a friend’s death by cancer or locomotor ataxy, so one does not keep harping on details of incised, contused, and lacerated wounds and of the special agonies one has seen in some few cases But why should one? One assumes that every adult knows for himself that death by bayonet or shell wounds cannot be a pleasant experience or sight, any more than the horrible deaths at home in bed are, or the deaths by mountain or river accidents. I can’t help feeling that at the back of the minds of people like ———- there is an unconscious craving that we should go out of our way to make the incurring of probable death, in a good cause, a more terrifying and repulsive thing than it is for a natural-minded person. Forgive this tirade.[1]

 

And by a strange coincidence–unless it isn’t–Edmund Blunden crosses paths in memory with Montague on a day that might be today, a century back. Which is to say that, attempting to coordinate Blunden’s memoir with his battalion’s Diary, this may have been the day he was sent from his battalion to a signalling school in the rear. When he came to thinking back upon that day and write about it, Blunden thought of Montague’s writing. Got it? Perhaps we should go to the texts…[2]

…I was ordered to be ready for attending a signalling school in the real “back area.” This development, promising in itself a period of rest and safety, was bad news; for experience was that to be with one’s battalion, or part of it, alone nourished the infantryman’s spirit. Now amid a thousand tables I should pine and want food.

Next morning, therefore, while the young sunlight freshened the darkened greenery of the year, I was sitting among a load of equipment, officers, N. C. O’s, and men in a lorry, hurtling along the causeway toward Cassel, through villages where one imagined one would like to come from a normal trench tour, past cottages at whose doors women sat on chairs to pick the hop vines heaped about them…

The signalling school was a large camp in a meadow, with an ugly, depressing red house at the far end. Here days went by without incident; above, the sky was usually clear and calm; around, the spirit of apathy and unconcern with the war was languidly puffing at its cigarette or warbling revue melody. Yet only a few miles off was that commanding hill Cassel, whence radiated constantly the dynasty of the Ypres battle. The road thither secluded, ran between the amazing fruitage of blackberries in the low hedges; one climbed until presently at a bold curve the track joined the stone road, with its rattling railway. At the top, the cool streets of Cassel led between ancient shop fronts and archways, maintaining in their dignity that war had nothing to do with Cassel. There was one memorable inn in whose shadowy dining room almost all officers congregated. Far below its balcony the plain stretched in all the
semblance of untroubled harvest, golden, tranquil, and lucent as ever painter’s eye rested upon. Some confused noise of guns contested one’s happy acquiescence. But what one saw and what one felt at Cassel’s watchtower that September are taken from time by the poet-historian C. E. Montague.[3]

A claim for ex post facto memory influence–for the interposition of powerful writing between a man’s experience and his writing of it… a mickle blow is struck against simplistic views of historiographic fidelity and the continuity of life-writing!

Let us follow (or, rather, belatedly precede) Blunden by reading Montague: here we find, at the proper time and place, the War in Autumn, and as good a proof of the ability of war’s ugliness to provoke beautiful writing as we are likely to find:

In the autumn of 1917 the war entered into an autumn, or late middle-age, of its own. “Your young men,” we are told, “shall see visions, and your old men shall dream dreams.” The same with whole armies. But middle-aged armies or men may not have the mists of either morning or evening to charm them. So they may feel like Corot, when he had painted away, in a trance of delight, till the last vapour of dawn was dried up by the sun; then he said, “You can see everything now. Nothing is left,” and knocked off work for the day. There was no knocking off for the army.

But that feeling had come. A high time was over, a great light was out; our eyes had lost the use of something, either an odd penetration that they had had for a while, or else an odd web that had been woven across them, shutting only ugliness out.

The feeling was apt to come on pretty strong if you lived at the time on the top of the little hill of Cassel, west of Ypres. The Second Army’s Headquarters were there. You might, as some Staff duty blew you about the war zone, be watching at daybreak one of that autumn’s many dour bouts of attrition under the Passchendale Ridge, In the mud, and come back, the same afternoon, to sit in an ancient garden hung on the slope of the hill, where a great many pears were yellowing on the wall and sunflowers gazing fixedly into the sun that was now failing them. All the corn of French Flanders lay cut on the brown plain under your eyes, from Dunkirk, with its shimmering dunes and the glare on the sea, to the forested hills north of Arras. Everywhere lustre, reverie, stillness; the sinking hum of old bees, successful in life and now rather tired; the many windmills fallen motionless, the aureate light musing over the aureate harvest; out in the east the broken white stalks of Poperinghe’s towers pensive in haze; and, behind and about you, the tiny hill city, itself in its distant youth the name-giver and prize of three mighty battles that do not matter much now. All these images or seats of outlived ardour, mellowed now with the acquiescence of time in the slowing down of some passionate stir in the sap of a plant or the spirit of insects or men, joined to work on you quietly. There, where the earth and the year were taking so calmly the end of all the grand racket that they had made in their prime, why not come off the high horse that we, too, in that ingenuous season, had ridden so hard?

It was not now as it had been of yore. And why pretend that it was?[4]

 

References and Footnotes

  1. Elton, C.E. Montague, 193-4.
  2. This hinges on the timing of Blunden's leave, which is not, unfortunately, recorded in the Battalion Diary--there is a letter in which he mentions returning on August 26th.
  3. Undertones of War, 231-2.
  4. Disenchantment, 156-8.

Wilfred Owen’s Wound is Blighty-Worthy at Last; C.E. Montague Separates the War from the Militarists

Wilfred Owen‘s long, strange, slow journey back from the front recently took him as far as an American-run base hospital on the French coast. This seemed to him a very pleasant place to be… if he weren’t still suffering from the stress of his indefinite confinement and unclear diagnosis.

A recent letter to his mother was cautiously optimistic, and still very much aggravated:

I think it is very likely that the Americans will send me to England, but we must permit ourselves no jubilations yet. I shall believe it as soon as I find myself within swimming distance of the Suffolk Coast. The usual thing on arrival is a fortnight or more of genuine leave at home!

I am sorry! I can think of nothing else to write about, and if I went on about my expectations this letter would end in a scream. If I go bathing this afternoon it will be to practise swimming in Channel waters…[1]

Luckily there was no need for this extreme measure–today, a century back, in a private cabin on a converted luxury liner, Owen sailed for England. His first stop will be the enormous military hospital in Netley.

 

C.E Montague will eventually become a standard-bearer for the disenchanted. But it would be a gross oversimplification to portray him as someone who became broadly “anti-war” because of the failings of the British army. A letter to his wife of today, a century back–many months into his frustrations with the General Staff and his unhappy involvement in managing propaganda–thinks carefully through the ways in which a man can hate war and yet serve the British war effort. And yet the terms of his analogy are hardly pacific…

June 16, 1917

I look on the struggle as one between believers in the virtue of war and disbelievers in [it], and feel almost proud and glad that we are, in a way, amateurs at it compared with the Prussian professionals, just as I would rejoice to see a professional garotter choked by some inoffensive person who thought garotting beastly.

I do find it a little perplexing that one can’t cast out Satan except with his own instruments, and yet the result of our not casting him out would be so unspeakable that I can’t hesitate. But, all the more because of the moral puzzle, I feel very keen on our keeping to the cleanest methods we can and avoiding any of the special Prussian beastlinesses of bombing non-combatants, harsh treatment of prisoners, etc.[2]

 

References and Footnotes

  1. Collected Letters, 469.
  2. C.E Montague, 166.

Messines: The Master of Belhaven, C.E. Montague, Phillip Maddison, and Rowland Feilding are Eyewitnesses to Armageddon; Jack Martin Goes Forward; Robert Graves is Laid Low and Siegfried Sassoon Takes a Pacific Step; Paul Fussell Looks to the Future

The Ypres Salient is a crowded place, and the assault on Messines Ridge of early this morning, a century back, was one of the great spectacles of the war. We have quite a few men on the scene who witnessed what was at once an unprecedented stroke of operational surprise (preceded as it was by all of the bloody, unimaginative attacks that we have read about), a significant immediate victory for the British Army (but not enough to “break through” the German lines), and a staggering calamity in human terms. For over a year British miners have been working in terribly dangerous and difficult conditions. Many died, but they have won the day, today. The fruits of their labor involved the entombing of some 10,000 Germans–but this was not foremost on the mind of the British observers. Each is overwhelmed by the enormity of the explosions, and struggles to describe them.

First, the Master of Belhaven:

At exactly 3.10 a.m. Armageddon began. The timing of all batteries in the area was wonderful, and to a second every gun roared in one awful salvo. At the same moment the two greatest mines in history were blown up — Hill 60 and one immediately to the south of it. I cleared everyone out of the dug-outs and was watching for it. Never could I have imagined such a sight. First, there was a double shock that shook the earth here 15,000 yards away like a gigantic earthquake. I was nearly flung off my feet. Then an immense wall of fire that seemed to go half-way up to heaven. The whole country was lit with a red light like in a photographic dark-room. At the same moment all the guns spoke and the battle began on this part of the line. The noise surpasses even the Somme; it is terrific, magnificent, overwhelming. It makes one almost drunk with exhilaration, and one simply does not care about the fact that we are under the concentrated fire of all the Hun batteries. Their shells are bursting round now as I write, at 6.10 a.m., but it makes one laugh to think of their feeble little efforts compared to the “ausgezeichnete Ausstellung” that we are providing. We are getting our revenge for 1914 with a vengeance. It is now beginning to get light, but the whole world is wrapped in a grey haze of acrid fumes and dust.

 

Jack Martin, signaler with the 122nd brigade, had been sent to lie out in No Man’s Land just before 3:00.

It was an impressive time–the gunfire ceased altogether with the exception of an occasional shell here and there–a thick mist was over the land and we had to lie full length…  There was a strange groaning and rumbling from behind us and presently, looming out of the mist, came a tank, moving straight towards us…

Out of the silence came the sound of blackbirds from a clump of battered trees a little way back only to be rudely silenced at 3.10 a.m…

For several minutes the earth rocked to and fro oscillating quite twelve inches. It was an experience which I shall remember vividly for the rest of my life–all the phases of the preliminary bombardment, the calm silence that succeeded them suddenly broken by a most terrific uproar, the weird sights of moving men and things in the semi-darkness, the rolling clouds of smoke picked out every now and then with shooting tongues of flame, all formed a tremendously wonderful sight. It was stupendous beyond the imagination.

 

Henry Williamson‘s Phillip Maddison has, of course, gone strolling off to see the battle, as he does for every major assault that he is not himself participating in. The fictional alter-ego walks through a landscape that both he and his creator had fought over in 1914, and he struggles with his fear. But soon it is 3:00, and, as the preliminary bombardment tails off, time for the birds–but nothing so unresonant as blackbirds.

It was so quiet that he could hear nightingales singing far away. They were surely very late in singing, the eggs must have hatched by now, and normally the cockbird ceased to sing when the hen began to sit. Perhaps the unnatural noise of the guns had strained their nervous systems. Some birds, notably wrens, uttered nervous little trilling bursts of song when alarmed at night. Perhaps all beauty, whether or sound or colour or shape, came out of pain, or suppression of life, as poetry came from suffering…

He felt the being-drawn feeling between his legs and his mouth was dry–he looked at his watch–nine minutes past three.

Before he was ready for it a great tongue of deep yellow flame arose slowly into the moonlight. It went up silently and was followed by another and another…

 

Rowland Feilding was there as well, almost entirely free of responsibility for his scattered battalion.

I got up and went out at three o’clock. The exact moment of the assault… had been disclosed to us as 3.10 a.m. I climbed on to the bank of the communication trench, known as Rossignol Avenue, and waited. Dawn had not yet broken. The night was very still. Our artillery was lobbing over an occasional shell; the enemy—oblivious of the doom descending upon him—was leisurely putting back gas shells, which burst in and around my wood with little dull pops, adding to the smell but doing no injury.

The minute hand of my watch crept on to the fatal moment. Then followed a “tableau” so sudden and dramatic that I cannot hope to describe it. Out of the silence and the darkness, along the front, twenty mines—some of them having waited two years and more for this occasion—containing hundreds of tons of high explosive, almost simultaneously, and with a roar to wake the dead, burst into the sky in great sheets of flame, developing into mountainous clouds of dust and earth and stones and trees.

For some seconds the earth trembled and swayed. Then the guns and howitzers in their thousands spoke: the
machine-gun barrage opened; and the infantry on a 10-mile front left the trenches and advanced behind the barrage against the enemy.

 

And C.E. Montague, with new freedom (and responsibility) to conduct war correspondents near the front, came up late last night with his charges, promptly fell into a deep sleep–and nearly missed it. His diary recorded the view from the Scherpenberg.

Next thing I am aware of, through a film of sleep, is a light whimper of shrapnel bursting somewhere near. Just after, I am fully awakened by the rocking of the hill under me. I jump up, sagely thinking it must be an earthquake, and then see seven huge mines still exploding — geysers of flame with black objects in it, leaving huge palm-trees of smoke drifting away in file. Bombardment begins at same time (3.10 A.M.). Rather far off—more than three miles—it sounds like an extremely long, various piece played on a piano full of rather far-off thunder. Many great fires caused in woods, etc., by our drums of oil and phosphorus (I believe). The bombardment more, intense than that of April 9 at Arras. As the light comes we see a great number of our aeroplanes everywhere, very little shelled. No infantry fighting visible.[1]

 

At 5:00 Jack Martin moves forward. His brigade is initially in support but soon enters what is now the British front line in the Damstrasse, more than a half-mile from the jumping-off point. There, Martin’s signalling party took casualties from both German fire and British “shorts.” Tanks move through, and the infantry follows, settling eventually into the German rserve positions.

The Signal Office was small, and with two wounded men in it and one end under water, there was only room for one operator at a time, yet at certain periods it was necessary to have two instruments working, so I took a buzzer outside and rigged it up on a mound where the trench had been blown in. The dirt gradually wore away and disclosed the bare buttocks of a dead man so I moved into the Damstrasse where the only comparatively dry spot was alongside a dead German but he was not badly mutilated. An infantryman close by me was hit in the face by a quantity of shrapnel dust and his tears trickled down his cheeks. He cried out, ‘Oh my eyes, my eyes! My God, I am blind!’ The sudden realisation of his blindness seemed a greater agony than the pain of his wounds. I shall never forge that terrible cry of anguish…[2]

 

Meanwhile, the Master of Belhaven, with little to do as his batteries fire by plan, tries to assess the progress of the battle:

(6 a.m.) It is as noisy as ever. The wounded have been streaming past for the last two hours… [they] say that the wire on my zone is thoroughly well cut, both on the front and support German lines–that is a relief to know. We have been firing something like 4,000 shells a day into it for the last week…

 

Rowland Feilding, too, is eager for news.

The battle once launched, all was oblivion. No news came through for several hours: there was just the roar of the artillery; such a roar and such a barrage has never been before. Our men advanced almost without a check. The enemy–such of them as were not killed—were paralysed, and surrendered. In Wytschaete Village they rushed forward with their hands up, waving handkerchiefs and things. And no one can blame them. The ordeal through which they have been passing the last fortnight must have surpassed the torments of hell itself…

Writing tomorrow, Feilding’s enthusiasm for this unprecedented-in-the-present-war success carries him as far as some preliminary conclusions on the preparations. He seems very much in accord with the ex post facto and fictionalized account of Henry Williamson.

… the South Irish Division and the Ulster Division went forward side by side… I have been thinking to-day of the saying—that the battle of Waterloo was won on the playing-fields of Eton. That remark wants revision now. You must for the “playing fields of Eton” substitute the “offices of the Empire.” From the offices have been introduced business methods which are essential to the complicated operations of nowadays. The Staff work yesterday was perfect. What a contrast to the time of Loos!

We were inundated with paper beforehand on this win this war we certainly shall win it” ; but no contingency, so far as I know, was unforeseen, and within six hours of the first assault parties were already at work, making roads across the mutilated zone and even laying water-pipes…

There will soon be checks to the more sanguine British hopes, but so far the preparation has been very good indeed. Instead of the usual failure to supply the attacking troops in their new positions, by 10 a.m. the war machine is dragging itself efficiently forward.

Already our Field Artillery was on the move forward—a stirring sight which always fascinates me. As I watch them, though I have nothing to do with them, I feel a kind of pride in them. I, as everybody else was doing, walked freely over the surface; past and over the old front line, where we have spent so many bitter months. How miserable and frail our wretched breastworks looked! When viewed—as for the first time I now saw them—from the parapet instead of from inside—the parapet only a sandbag thick in many places—what death-traps they seemed!

Then over Noman’s Land. As we stepped out there, my orderly, O’Rourke, remarked: “This is the first time for two years that anyone has had the privilege of walking over this ground in daylight, sir.” We visited some of the mine craters made at the Zero hour, and huge indeed they are. Then we explored Petit Bois and Wytschaete Wood—blown into space by our fire and non-existent—the, scene of our raid of the night of June 4. We found the bodies of an officer and a man of ours, missing since that night, which I have since had fetched out and buried among many of their comrades.

Our Tanks were now advancing—a dozen or more of them—going forward to take part in the capture of the fifth and sixth objectives. Their duty is to reduce local opposition, when it is encountered, and there they were, lumbering along, picking their way through the honeycomb of shellholes and craters, getting into difficulties, getting out again, sometimes defeated, but generally in the end winning their way through this area of devastation, where nothing has been left alive, not even a blade of grass.

I cannot hope to describe to you all the details of a battle on this scale. The outstanding feature, I think, was the
astounding smallness of our casualties. The contrast in this respect with Loos and the Somme was most  remarkable…

But, as is always the way, we lost some of our best. A single shell and a small one at that—knocked out twelve, killing three outright and wounding nine—two of the latter mortally…

But as Feilding concludes his account of the day with attentions to the dead, it is Ireland and Germany which come to the fore. The ground is Belgian, and a ridge and some village have been taken swiftly. But the war will still only be won through attrition, and it is the state of the will to fight on of the two rival empires which matters most.

Willie Redmond also is dead. Aged fifty-four, he asked to be allowed to go over with his regiment. He should not have been there at all. His duties latterly were far from the fighting line. But, as I say, he asked and was allowed to go—on the condition that he came back directly the first objective was reached; and Fate has decreed that he should come back on a stretcher.

How one’s ideas change! And how war makes one loathe the party politics that condone and even approve when his opponents revile such a man as this! I classify him with Stephen Gwynn and Harrison—all three, men—Irish Nationalists, too, whom you and I, in our Tory schooling, have been brought up to regard as anathema! What effect will his death have in Ireland? I wonder. Will he be a saint or a traitor? I hope and pray it may teach all—North as well as South—something of the larger side of their duty to the Empire.

P.S. My men found a dead German machine-gunner chained to his gun. This is authentic. We have the gun, and the fact is vouched for by my men who took the gun, and is confirmed by their officer, who saw it. I do not understand the meaning of this:—whether it was done under orders, or was a voluntary act on the part of the gunner to insure his sticking to his gun. If the latter, it is a thing to be admired greatly…[3]

“Authentic” in Feilding’s trust in his men, but then again he does not claim eyewitness, or give precise details…

 

The master of Belhaven ends his account on a note of triumph similar to Feilding’s assessment:

(9 p.m.) The battle is over, and the victory is with us. We have gained the whole of our objective…[4]

 

But Phillip Maddison, a mercurial sort (not to mention a fictional product of retrospection and history-reading) already has an eye to the inevitable return of the pendulum. After several trips leading mule trains of ammunition he goes on another of his “Cook’s Tours” to see the ridge that the British have now taken. He is impressed with the panorama, but, walking among the infantry as the long day draws to a close, he hears rumors of German counter-attacks retaking ground…[5]

 

And where are our old stand-byes on this day of days, the petulantly yoked terrible twins at the heart of the war poetry revolt, who fought at Loos and on the Somme? Will they praise the sudden victory?

 

Robert Graves, home for months and putatively recovered, was nevertheless in need of a rest, and has just been detailed to head to a convalescent home on the Isle of Wight. The precipitating cause was a head wound sustained when he fell down a staircase in the dark. But this was not an isolated incident so much as a symptom of a fundamental exhaustion. Not only will his lungs never be right, but his nerves are from from settled–it seems likely that “some kind of nervous collapse” led to the reassignment… and no, he will not have much to say about Messines.[6]

 

Siegfried Sassoon, however, was in London, taking a break from portrait-sitting by lunching with H.W. Massingham, the editor of the influential radical weekly The Nation. As George Sherston, Sassoon looks back on the irony that the full picture affords:

At daybreak on June 7th the British began the Battle of Messines by exploding nineteen full-sized mines. For me the day was made made memorable by the fact that I lunched with the editor of the Unconservative Weekly at his club. By the time I entered that imposing edifice our troops had advanced more than two miles on a ten-mile front and a great many Germans had been blown sky-high. To-morrow this news would pervade clubland on a wave of optimism and elderly men would glow with satisfaction.

Sherston has written to “Markington” to offer to write something, as “a mouthpiece for the troops in the trenches.” He is nervous of the great man at first, but he warms to Markington when he finds him even more pessimistic about the war and eager to hear uncensored humorous anecdotes from the front. The diffident Sherston stretches his legs, ever so slightly:

He listened with gloomy satisfaction to my rather vague remarks about incompetent Staff work. I told him that our Second Battalion had been almost wiped out ten days ago because the Divisional General had ordered an impossible attack on a local objective. The phrase ‘local objective’ sounded good, and made me feel that I knew a hell of a lot about it. . . .

But this leads, with more twisting irony, to the detailing of his own deeply conflicted behavior, and to a confession which might not be as welcome to this leading critic of the war:

‘As a matter of fact I’m almost sure that the War doesn’t seem nearly such a bloody rotten show when one’s out there as it does when one’s back in England. You see as soon as one gets across the Channel one sort of feels as if it’s no good worrying any more — you know what I mean — like being part of the Machine again, with nothing to be done except take one’s chance. After that one can’t bother about anything except the Battalion one’s with…

I must say I’ve often felt extraordinarily happy even in the trenches. Out there it’s just one thing after another…

It’s only when one gets away from it that one begins to realize how stupid and wasteful it all is. What I feel now is that if it’s got to go on there ought to be a jolly sound reason for it, and I can’t help thinking that the troops are being done in the eye by the people in control.’ I qualified these temperate remarks by explaining that I was only telling him how it had affected me personally; I had been comparatively lucky, and could now see the War as it affected infantry soldiers who were having an infinitely worse time than I’d ever had — particularly the privates.

The account continues, and it’s rich with interest: Massingham suggests reading Tolstoy, and then he awakens the privileged “Sherston” to the political realities of the budding military-industrial complex, censorship, and the fact that Great Brittain has added “acquisitive” war aims to the professed cause of liberating France and Belgium… there is some matter of Mesopotamian oil wells, apparently, if one takes that point of view...[7]

 

Lest one object that giving the last word on a day of successful battle to a pair of half-pacifists lunching in comfort, I will give it instead to an academic yet unborn, a century back, and more than a quarter-century short of his own bitter disillusionment with war.

Very early in his cranky masterpiece, Paul Fussell makes one concession to the otherwise unalleviated chronicle of murderous failure.

The attack at Messines… had been brilliantly planned by General Sir Herbert Plumer, who emerges as a sort of intellectual’s hero of the British Great War… he had imagination. His mines totally surprised the Germans, ten thousand of whom were permanently entombed immediately.

This, it is worth mentioning, is half the British toll from the first day of the Somme. I want to write at greater length about what it means to celebrate a battle in which local victory kills so many and yet doesn’t really budge the war… but since none of the men on the spot do, it would be an imposition. So, instead, just this next bit, as a way of working in the subject of modern war’s resilience.

The most memorable detail in Fussell’s account of the battle, however, is one that none of our writers can know, since it reaches more than a generation into the future, and then a century again, and more:

…British miners had been tunneling for a year under the German front lines, and by early June they had dug twenty-one horizontal mineshafts stuffed with a million pounds of high explosive… Nineteen of them went up, and the shock wave jolted Lloyd George in Downing Street 130 miles away. Two failed to explode. One of these went off in July, 1955… The other, somewhere deep underground near Ploegsteert Wood, has not gone off yet.[8]

 

References and Footnotes

  1. C.E. Montague, 189.
  2. Sapper Martin, 71-4.
  3. War Letters to a Wife, 188-92.
  4. War Diary, 302-6.
  5. Love and the Loveless, 153-160.
  6. R.P. Graves, Robert Graves, the Assault Heroic,173.
  7. Complete Memoirs, 471-5.
  8. Fussell, The Great War and Modern Memory, 14-15.

Rowland Feilding Before Messines; Jack Martin Goes up the Line; Phillip Maddison to Test his Courage; A New Brief and a Fine Old Book for C.E. Montague; A Short Life of Francis Ledwidge

Early tomorrow morning will see one of the most dramatic “shows” of the war, and the most successful British opening to date. Rowland Feilding, has been heavily involved in the preparations for the battle, organizing a last-minute raid–a “success” despite the losses involved, as a number of Germans were captured–and nearly being blinded himself when a heavy-caliber German shell fell nearby during the retaliatory bombardment. Last night, a century back, Feilding’s battalion was relieved, and will spend the battle in a supporting role, giving him time to describe much of the action in a long letter to his wife. He sets the scene for her, and for us:

The village [Wytschaete] tops the crest of the Messines Ridge, and the breastworks, which we have occupied since we came from the Somme, last September, run across the swampy fields to the west of and below it, with the hospice (or convent)—represented by a heap of bricks—standing out prominently against the skyline, beyond the Petit Bois…

That evening (June 6) we tea’d in the open, about half a mile behind the fire-trench, our artillery shooting hard over our heads all the time, but eliciting no reply from the enemy. The Brigadier called and congratulated us on the success of the raid. He was in the best of form, and indeed everybody was very cheerful and full of confidence. It was very edifying to see the almost exhilarated state every one was in, both officers and men, seeing what a colossal business lay immediately before them. Later, we had dinner in the open… The 6th Connaught Rangers were to be broken up for the battle in order to provide “mopping up” and carrying parties for the attacking battalions, thus leaving me personally with very little to do, and after dinner I moved to my Battle Headquarters—a deep mined dug-out in Rossignol Wood, above which I am now writing this letter. The wood reeked of gas shells, to which the enemy further contributed during the night.[1]

 

Jack Martin, a signaler with the 122nd brigade, will be going forward soon after midnight.

This afternoon we were all ordered to pack everything in our valises, except fighting kit, and hand them to the care of the QM… I joined the Forward Party and moved up the line.

…It was a wretched night–the strain of waiting was great–our guns were going continually–Fritz was ‘nervy’…

Crowded into a forward trench, the men now have to endure bombardment from the German artillery which, although the extent of the underground preparations seem not to have been guessed, must realize that some sort of attack is in the offing.

I was crouched down in the trench with my back to Jerry when a small shell landed almost on the parapet a matter of only inches from my head. The trench came in on top of me, and, but for the fact that it was strongly revetted, I should have been completely buried. When the smoke and dirt had cleared away, the other fellows were surprised to see me pick myself up unhurt. Aitken said, ‘That one had got your name on it, Joe,’ ‘Yes,’ I replied,’ but it was the wrong number.’ It gave me a terrible shaking but it might have been worse.[2]

 

Henry Williamson is safe behind the lines on the now-quiet Somme front, but he has sent his alter ego north, and placed him behind the lines at Messines. The talk in the transport section of Phillip Maddison’s turned somewhat morbid. Never mind that thousands of Germans were about to die and thousands of British infantry go over the top–the transport men, though currently fairly safe, have to bring up ammunition through an interdiction barrage. They too are frightened, and they begin to talk of their mothers. Phillip, even though he is so close to the place his courage failed in 1914, decides that he feels confident–because “he himself had broken away” from his mother and because he has the love of the faithful Lily: “if he hadn’t the thought of Lily to keep him going, he would be windy himself.”

With nothing to do as midnight passes and with his confidence buoyed both by the love of Lily and by his assessment–rather perceptive, this–that the German counter-barrage will be enfeebled and directed elsewhere, Phillip begins to contemplate a walk toward the front…[3]

 

One of the wonders of this project, in a small way, is the realization that even when great and terrible events are in the offing, “ordinary” life goes on for the soldiers even as it does across the experiential gulf. C.E. Montague has just received a welcome reassignment: instead of being a glorified assistant propagandist and minder of journalists (many of whom were far less skilled than he, not to mention his unusual moral and physical courage), he “was now to hold a position of some authority… better than showman-work however variegated.” He is now an ‘assistant press officer,’ and will have more freedom to choose his own course and no direct involvement in the dissemination of propaganda.

So late tonight, Montague will pack several well-known journalists into cars and head for Messines. But first he sits down to write a letter to his wife. To whom, of course, he cannot mention the coming battle, even at this late hour. Instead, he discusses what any good literary soldier does in his spare time–in this case his reading of the master of malign fate (and of brave human resistance against it) is at once exasperated and grateful:

June 6, 1917

I have gone on with The Return of the Native, admiring it more than ever. . . . I had forgotten how directly Hardy’s pessimism is declared in the description of Clym Yeobright, where he says that mankind’s enjoyment of life must decline, and the view of life as ‘a thing to be put up with’ prevail, and that we shall all cease to admire beauty of face as distinct from full expression of experiences mainly painful and disillusioning. What perversity it is. Life only seems to me to be more of a wonder and glory and ecstasy, the more I see of it, and I feel it specially when reading Hardy’s own descriptions of beautiful-natured people like his faithful lovers, and of lovely places.[4]

 

Finally, today, Francis Ledwidge is in France, far enough from Messines and surely in ignorance of tomorrow’s huge attack. But even if he knew he would still use an infantryman’s rare hours of leisure to attend to his growing poetic reputation. He wrote today an extremely long letter to Professor Lewis Chase, from which I will excerpt a few choice rambles:

B.E.F
France, 6th June 1917

Dear Sir,

Your letter of May 15th reached me this afternoon. I have to thank you for introducing my books into your University library and for the interest which you take in my poems and will endeavour to supply you with what details you require of myself and my work for the composition of your proposed lecture. You will, of course, understand that I am writing this under the most inept circumstances between my watches, for I am in the firing line and may be busy at any moment in the horrible work of war.

I am on active service since the spring of 1915, having served in the Dardanelles and the First British Expeditionary Force to Serbia… Some of the people who know me least imagine that I joined the Army because I knew men were struggling for higher ideals and great empires, and I could not sit idle to watch them make for me a more beautiful world. They are mistaken. I joined the British Army because she stood between Ireland and an enemy common to our civilization, and I would not have her say that she defended us while we did nothing at home but pass resolutions…

I am of a family who were ever soldiers and poets… I have heard my mother say many times that the Ledwidges were once a great people in the land, and she has shown me with a sweep of her hand green hills and wide valleys where sheep are folded which still bear the marks of dead industry and, once, this was all ours.

These stories, told at my mother’s doorstep in the owl’s light, are the first things I remember except, perhaps, the old songs which she sang to me, so full of romance, love and sacrifice. She taught me to listen and appreciate the blackbird’s song, and when I grew to love it beyond all others she said it was because I was born in a blackbird’s nest and had its blood in my veins. My father died when I was two…

The “Poet of the Blackbirds” goes on to describe his family and his early life.

There were four brothers of us and three sisters. I am the second youngest. For these my mother laboured night and day, as none of us were strong enough to provide for our own wants…

I was seven years of age when my eldest brother died, and though I had only been to school on occasional days I was able to read the tomb-stones in a neighbouring grave-yard and had written in secret several verses which still survive. About this time I was one day punished in school for crying and that punishment ever afterwards haunted the master like an evil dream, for I was only crying over Goldsmith’s “Deserted Village,” which an advanced class had been reading aloud.

It was in this same class that I wrote my first poem, in order to win for the school a half holiday…

Much as I would like to use the sheer bulk of the letter to enhance the slight irony of writing one’s life story on the brink of a major attack, patience dictates that we must skip the tale of Ledwidge’s early literary development. After a short and unhappy apprenticeship to a Dublin grocer, Ledwidge returns home.

I took up any old job at all with the local farmers and was happy. I set myself certain studies and these I pursued at night when I should be resting from a laborious day. I took a certificate of one hundred and twenty words a minute at Pitman’s shorthand, and soon knew Euclid as well as a man of Trinity College…  I read and studied the poets of England from the age of Chaucer to Swinburne, turning especially to the Elizabethans and the ballads that came before the great Renaissance. I thirsted for travel and adventure, and longed to see the Italy of Shelley and the Greece of Byron. But the poems of Keats and his sad life appealed to me most.

The young poet, in his own estimation at least, begins to mature:

I began to pick faults with Longfellow and Tennyson…

I burned many copybooks which contained fugitive pieces of my own because I thought it were better for them to die young and be happy than live to be reviled.

Georgian Poetry” (with my three excluded) contains, I think, the best poems of the century…

The letter continues in high good spirits, but it’s an open question whether the late switch to a torrent of unrelated anecdotes and quirks is produced because the poet is flattered to be the subject of academic interest, or because he knows that a fighting soldier who might wish to be remembered should give potential biographers as much, and as quickly, as he can.

I get more pleasure from a good line than from a big cheque. Though I love music I cannot write within earshot of any instrument. I cannot carry a watch on account of the tick, real or imaginary, and might as well try to sleep under the Bell of Bruges as in a room where a clock stands… I have written many short stories and one play which is declared a success by eminent playwrights who have read it…

The letter closes with several poems, including “Rainy Day in April,” “The Wife of Llew,” and Pan. Ledwidge assures the professor that the best is yet to come…

 

Tomorrow, the mines go up.

 

References and Footnotes

  1. War Letters to a Wife, 183-88.
  2. Sapper Martin, 70-1.
  3. Love and the Loveless, 153.
  4. C.E. Montague, 161-2, 172-3

Duff Cooper Gets the Call; Henry Williamson is Laid Low; C.E. Montague Draws Strength From Hardy; Woolf Praises Sassoon; Francis Ledwidge Gropes Toward God; Isaac Rosenberg Lifts His Eyes to the Larks

I don’t mean to make fun of Duff Cooper–he is a capable man, and not nearly as daffy as he sounds in his journal–but, until today, all we’ve heard of his recent decision to take an Army commission is that is seemed to yield positive short-term results in his endless pursuit of Diana Manners. Ah–but has he forgotten the other woman in his life? Yes, yes he has.

In the afternoon Mother telephoned. She has found about my prospects of joining the army. She is naturally much upset–it is most awkward.[1]

 

Nor did I set out to make fun of Henry Williamson, today, but this disjunction between diary and novel is… also pretty funny:

Thursday, 31 May. Kicked on head by Tommy.

The editors add, helpfully, that “Tommy was a mule.” Which, given that Williamson is a mule-riding Transport Officer–and despite the fact that he describes stubborn men as “mules”–should probably be taken literally, and not as a slight on the stubborn character of some insubordinate “Tommy Atkins.”[2]

In the novel, instead of this misadventure, Phillip Maddison attend a conference held by Captain Hobart in which he is initiated into further tactical secrets of the coming Messines Ridge attack. There is much admiration expressed for General Plumer, the rare innovator among the British senior officers and the man most responsible for the novel use of what are essentially early modern siege warfare tactics scaled up by several orders of magnitude and undertaken over the course of many months: there will be some very big mines. Which, of course, were top secret at the time.

After the conference Phillip goes walkabout, as he so often does. Leaving his work to his sergeant, Phillip strolls past signs and organizational tapes and models and remarks on the fact that every possible preparation for the coming attack has been carefully thought out. He is then struck by the idea that if such detailed tactical information were to be passed on to the men of the Machine Gun Company, surely it would be a good thing for morale, and who better to lecture them than himself…[3]

 

But today is a busy day, and with those bits of silliness out of the way we can move toward a few more formal literary accomplishments.

First, I’d offer this definition of a worthy novel: a book that can offer intellectual and emotional support to a reader burdened by cares and mired in doubt, yet far from any easy resonance with its subject matter. We have a nomination, then, today, from C.E. Montague, writing to his wife:

May 31, 1917

A man here has got The Return of the Native and I borrowed it last night and read the first few pages again. How wonderful they are—I do believe the finest opening ever written for a novel of that kind. I shall try, at odd times, to read on. There is something massive and hill-like about Hardy which makes him good to read during this passing madness of the world—he helps one to feel what a mass of durable things in human nature as well as in other ‘nature’ are going on all right, all the time, and will be there to come back to when the evil time is overpast.[4]

 

Time in its dogged unidirectionality is a strange thing. Thomas Hardy has held out an austere kind of hope to many of our writers, and his approval meant more to Siegfried Sassoon than that of any writer… but if one were to try to sell an unacquainted reader on the merits of Sassoon’s poetry today, a more powerful endorsement might be felt to come from a review of his verses that was published today, a century back, in the Times Literary Supplement:

…the beauty in them, though fitful, is of the individual, indefinable kind which comes, we know not how, to make lines such as we read over each time with a renewed delight that after one comes the other.[5]

Thus Virginia Woolf on The Old Huntsman and Other Poems.

 

We also have a relative rarity, today: a long letter from Francis Ledwidge. Written from reserve billets in France, to Katherine Tynan, it shows Ledwidge in the thick of the action and, characteristically, able to wring beauty from the terror and violence of his surroundings.

I would have written to thank you for the sweets, only that lately we were unsettled, wandering to and fro between the firing-line and resting billets immediately behind. This letter is ante-dated by two hours, but before midnight we may be wandering in single and slow file, with the reserve line two or three hundred yards behind the fire trench. We are under an hour’s notice. Entering and leaving the line is most exciting, as we are usually but about thirty yards from the enemy, and you can scarcely understand how bright the nights are made by his rockets. These are in continual ascent and descent from dusk to dawn, making a beautiful Crescent from Switzerland to the sea. There are white lights, green, and red, and whiter, bursting into red and changing again, and blue bursting into purple drops and reds fading into green. It is all like the end of a beautiful world. It is only horrible when you remember that every colour is a signal to waiting reinforcements or artillery, and, God help us if we are caught in the open, for then up go a thousand reds, and hundreds of rifles and machine-guns are emptied against us, and all amongst us shells of every calibre are thrown, shouting destruction and death. We can do nothing but fling ourselves into the first shell-hole and wonder as we wait where we will be hit. But why all this

I am indeed glad to think you are preparing another book of verse. Will you really allow me to review it? I don’t want money for doing it. The honour would be more worth than money…

A. E. sets me thinking of things long forgotten, and Lord Dunsany of gorgeous Eastern tapestry and carpets. Do you get such impressions from the books you love? I met a traveller in Naples who told me that he never read Andrew Marvell but he remembered a dunce’s cap and a fishing-rod he had when a boy, and never could trace the train of thought far enough back to discover where the connection lay. I am writing odd things in a little book whenever I can. Just now I am engaged in a poem about the Lanawn Shee, who, you remember, is really the Irish Muse. One who sees her is doomed to sing. She is very close to you. I am writing it in the traditional style of the ‘Silk of the Kine.’

Here are the opening verses:

Powdered and perfumed the full bee
Winged heavily across the clover,
And where the hills were dim with dew,
Purple and blue the West looked over…

There is some more of this exercise in willful aestheticism, but Ledwidge also includes a finished poem in a very different vein:

 

Ascension Thursday, 1917

Lord, Thou hast left Thy footprints in the rocks,
That we may know the way to follow Thee,
But there are wide lands opened out between
Thy Olivet and my Gethsemane.

And oftentimes I make the night afraid,
Crying for lost hands when the dark is deep,
And strive to reach the sheltering of Thy love
Where Thou art herd among Thy folded sheep.

Thou wilt not ever thus, O Lord, allow
My feet to wander when the sun is set,
But through the darkness, let me still behold
The stony bye-ways up to Olivet.

 

Yet neither Sassoon nor Ledwidge can lay claim to the most important poetic reference point of today. Isaac Rosenberg wrote recently to Gordon Bottomley (the letter was posted today, a century back) about a number of things, including his new work alongside the Royal Engineers, putting out barbed wire at night. The letter mentions both Dead Man’s Dump and Daughters of War, and also seems to indicate that he has completed “Returning, We Hear the Larks,” a poem which can speak for itself, about many things, not least that a poet walking in the shadow of the valley of death who chooses not to look to God might also look to nature–even here–and then, through nature’s verse-entwined messengers, to poetry.

Sombre the night is:
And, though we have our lives, we know
What sinister threat lurks there.
Dragging these anguished limbs, we only know
This poison-blasted track opens on our camp—
On a little safe sleep.
But hark! Joy—joy—strange joy.
Lo! Heights of night ringing with unseen larks:
Music showering on our upturned listening faces.
Death could drop from the dark
As easily as song—
But song only dropped,
Like a blind man’s dreams on the sand
By dangerous tides;
Like a girl’s dark hair, for she dreams no ruin lies there,
Or her kisses where a serpent hides.[6]

References and Footnotes

  1. Diaries, 54.
  2. Anne Williamson, Henry Williamson and the First World War, 157.
  3. Love and the Loveless, 144-5.
  4. C. E. Montague, 161.
  5. See Moorcroft Wilson, Siegfried Sassoon, 360.
  6. I'm not entirely convinced by Moorcroft Wilson's dating of the poem to May 1917, but it seems plausible... and this is a poem that can't be left to slip through the cracks entirely...

Siegfried Sassoon is Blighty Bound… and Eighteen Other Updates

Although I am almost as tired of writing extremely long posts as you are of reading them, so very many of our writers committed some sort of date-fixable act today, a century back, that I thought I should nod to the fates and survey everyone who showed up.[1]

After we wrap up with Siegfried Sassoon, withdrawn from the Hindenburg trench to the Hindenburg tunnel with a new “patriotic perforation” in his shoulder, and after we read the progress of Edward Hermon‘s widow, I will try to be judiciously brief with the others. Somehow, yesterday, Sassoon was not only seen and treated by the battalion Medical Officer, but was swiftly evacuated to a Casualty Clearing Station. Within hours of being held back from an attempted one-man bombing war, he is tucked in and headed for Blighty.

April 17

After a blessed eight hours’ sleep (more than I’d had since last Wednesday) I waited till 5 o’clock reading Far from the Madding Crowd, when we got on board a Red Cross train of serpentine length. Five hundred men and thirty-two officers on board. Warlencourt is eighteen kilometres from Arras—quite near Saulty, where we stayed on April 7. We passed through Doullens about 6 p.m. and Abbeville at 8.30 and reached Camiferes at midnight.

An officer called Kerr is with me—one of the First Cameronians. He was hit in the bombing show about an hour before I got up there on Monday morning, so I’ve got some sidelights on what really happened.

At present I am still feeling warlike, and quite prepared to go back to the line in a few weeks. My wound is fairly comfortable, and will be healed in a fortnight, they say. I know it would be best for me not to go back to England, where I should probably be landed for at least three months, and return to the line in July or August, with all the hell and wrench of coming back and settling down to be gone through again. I think I’ve established a very strong position in the Second Battalion in the five weeks I was with them. My luck never deserts me; it seems inevitable
for me to be cast for the part of ‘leading hero!’

Things to remember

The dull red rainy dawn on Sunday April 15, when we had relieved the 15th Northumberland Fusiliers—our Company of eighty men taking over a frontage of nine hundred yards.

During the relief—stumbling along the trench in the dusk, dead men and living lying against the sides of the trench one never knew which were dead and which living. Dead and living were very nearly one, for death was in all our hearts. Kirkby shaking dead German[2] by the shoulder to ask him the way.

On April 14 the 19th Brigade attacked at 5.30 a.m. I looked across at the hill where a round red sun was coming up. The hill was deeply shadowed and grey-blue, and all the Country was full of shell-flashes and drifting smoke. A battle picture.

Scene in the Hénin Dressing Station. The two bad cases—abdomen (hopeless) and ankle. The pitiful parson. My walk with Mansfield.

Sergeant Baldwin (A. Company) his impassive demeanour—like a well-trained footman. ‘My officer’s been hit.’ He bound up my wound.[3]

As these notes suggest, there will be a good deal more to write about all this.

 

A few days after learning of her husband’s death, Ethel Hermon received the heartfelt letter from his long-time manservant Gordon Buxton.

Dear Buxton,

Your letter came this morning & I can never thank you enough for your loving care of him & your sympathy & prayers. I knew you would be heartbroken & that I should have all your sympathy as you probably knew as well as anyone could know how much we were to each other.

You will by now have had my other letter telling you that I have asked Gen. Trevor… to let you come home if it is possible as I simply long to talk to you… I seem to know all that pen & paper can tell, one just longs to talk to someone who was there…

I should leave it there, as we press on into this massively choral day. To summarize, Ethel also charges Buckin with seeing that her husband’s valuable and useful possessions are distributed to his friends, and that the items that had been personal, close to his body–“the old basin & cover & its contents”–be returned to her. She hopes, too, that he can care for her husband’s grave. Which he will do–and he will come home.

A British tank ditched in the German lines at Arras, IWM

Dear Mrs. Hermon,

I’m sending this note by Buxton who goes on leave today to report to you. He will bring the papers etc. found on your husband…

…a tank was caught up on the German front line… & the Boches were firing at it… there seems little doubt that one these rifle bullets hit your husband just below the heart… The medical officer tells me he thinks a big blood vessel below the heart was severed & that death was almost instantaneous.

Your husband’s horses are being sent to Div. Hd. Qrs with the groom…

I can only repeat how much I feel for you in your irreparable loss.

Yours very sincerely,

H.E. Trevor[4]

 

Kate Luard‘s parade of horrors (we’ve read but a little, lately) has abated, as the Arras push lags. So time for a stroll–and paperwork.

We have had a lull the last two days, and everybody has been off duty long enough to go for a walk in relays and pick Lent lilies, cowslips, and anemones…  I believe another stunt is expected tomorrow…

I got about 60 behind in Break-the-News letters the first few days of last week…[5]

 

Ivor Gurney, realizing perhaps that he is even more lucky to be wounded and out of it than he had thought, managed a post card today to Marion Scott:

Dear Friend: Still at the Base. No certain address. No certain tomorrow. No luck. No money. No damage to my arm, save a hole. Yet, had the boats been running, I might have got to Blighty…[6]

 

Let’s see: what else is happening with the Great War writers?

 

Christopher Wiseman arrived in Harrogate to visit John Ronald Tolkien, and to help him in compiling a memorial volume of their friend G.B. Smith’s work.[7]

 

In fiction, today is the key date in “The Colonel’s Shoes,” a curious supernatural shaggy-dog short story by Ford Madox Hueffer. It’s a tale told in retrospect that hinges on bitter, childish infighting among a few officers and plays out in the orderly room of their overworked battalion. Today, a century back, a vindictive captain writes up a Company-Sergeant-Major for perceived insubordination, and it will take a very, very minor miracle to set things right…[8]

 

And after the excitement of last night’s chaotic patrol, tonight’s action provided tension in a lower key for Alf Pollard and the H.A.C. Ordered to move forward under cover of darkness and entrench within 200 yards of the Germans, Pollard accidentally led his men all the way up to the German wire obstacles. But once again “Fritz was keeping a very bad watch” and Pollard and his men are able to withdraw to the proper distance and begin entrenching before they are discovered. Pollard being Pollard, he ascertains that the battalion on his left is in the wrong position and blusters back under fire to explain his prowess and sure grasp of the situation to the Brigadier, as well as the embarrassed colonel of that neighboring battalion…[9]

 

Rowland Feilding missed the first week of the battle, but it is now the lot of his battalion to hold trenches in the worst possible weather, and fight the same war of patrol and counter-patrol.

April 17, 1917. “‘Turnerstown Left” (Fierstraat Sector).

I think this year must be accursed. Never was a fouler day than to-day. After a wet night it is still raining this morning, and the wind is howling dismally, but overhead. There are points, after all, in being in a trench. The French seem to have made a spectacular re-entry into the arena yesterday, but they must have been greatly handicapped by the weather, like our men at Vimy.

Last night we captured two big Prussian Grenadiers (unwounded) on our wire. They were brought to my dugout at 2 a.m., looking frightened—with their hands still outstretched in the orthodox manner of the surrendered prisoner who desires to show that he is not armed; coated with mud; one bleeding from a tear from the wire; but neither seeming too unhappy. If one only knew German this would be the proper time to extract information. They are too scared to lie much. Later, when they find out how kindly is the British soldier, they become sly and independent.[10]

 

Llewelyn Wyn Griffith, whose harrowing summer was followed by a long spell of peaceful staff work, was sent back to his battalion today, a century back, taking over C Company of the 15th Royal Welch Fusiliers. We hear time and again how officers pine for their comrades and their men when they are sent off to safe billets and cushy staff positions–not so Griffith, who “set off despondently” to return to the hardships of the line.[11]

 

And with another Kitchener battalion of the Royal Welch, David Jones is also heading back toward the front.

On the 17th, in wind and sleet, they left for divisional reserve at Roussel Farm–the cold mud so deep that it took hours to pass through 400 yards of communication trench. They arrived at 3.30 a.m.[12]

 

Henry Williamson “wrote a lot of letters” today, including one to his mother enclosing a piece of army propaganda about German demoralization and one to his father describing the roar of the big naval guns, the sight of a British tanker driven mad by the gunfire concentrated on his tank, and the recent transaction of parcels: cake and bullseyes to Henry in France, and souvenirs–including “2 tin boxes of bombs, etc., and 3 lovely helmets… & a saw bayonet”–sent home.[13]

 

Vera Brittain remains too far from the front, and full of worry. To her brother Edward, today, a century back:

I have to keep on writing letters, because the vague bits of news from France that filter through to us make me so anxious to receive them. From the long list of names that appear in the telegrams there seems to be a vast battle going on along the whole of our front & the French one too, but it is very difficult to make out at all what is happening. Is Geoffrey anywhere in the Bapaume direction? The longer the War goes on, the more one’s concern in the whole immense business seems to centre itself upon the few beings still left that one cares about, & the less upon the general issue of the struggle. One’s personal interest wears one’s patriotism rather threadbare by this time. After all, it is a garment one has had to wear for a very long time, so there’s not much wonder if it is beginning to get a little shabby![14]

Looking back on this night, she will add these thoughts:

Yet another night’s red moon, I thought, looking up after finishing Edward’s letter at the ominous glow in the unquiet sky. Another night, and still no news. Is Victor still alive? Is Geoffrey? Oh, God–it’s intolerable to be out here, knowing nothing till ages afterwards, but just wondering and wondering what has happened![15]

 

Jack Martin, in billets at Dickebusch, took today to write out fairly lengthy pen-portraits of some of his comrades… but I’m only human…[16]

 

Vivian de Sola Pinto, working for weeks now at the Bull Ring near Rouen, records today’s date–I would guess a scrap of his orders was preserved, for there are few dates and few such specifics in his book–as the occasion of a “huge fatigue party” that spent the entire day loading lorries. But it was also a memorable occasion because the station from which he was to supervise the loading contained a sergeant and two classes of furniture: a comfy chair and a biscuit tin.

With wry approval de Sola Pinto notes the sergeant’s insistence–“a fine example of what I would call a manly spirit of volunteer subordination”–that the officer take the better chair, despite the fact that both of them “knew he was an infinitely better soldier than I should ever be.” de Sola Pinto insists on taking turns, but recognizes that the Sergeant’s principled, if nominal, subordination “actually enhanced” his dignity.[17]

 

George Coppard, recovered from the accidental shooting in the foot, arrived today at “Camiers, a reception base for drafts.”[18]

 

C.E. Montague wrote both a letter and a diary entry recording his view of the battle from close behind. Wise though he is, he still feels bereft that his old companions are in battle and he is not. And he shows what a man with the time for literary composition on his hands can do. This is a good mix of eyewitness reportage and refined “battle-piece” history.

April 17, 1917

…Behold me again in the midst of our long-drawn battles—-meet incidents of our long-drawn war.

I saw the beginning of this one, before daylight on the morning of the 9th, from a little height above our front, from which I could see all our guns flash off together at the second of starting, like a beaded line of electric lights all turned on from one switch, and then each of them turned on and off and on again as fast as possible by a switch of its own. At intervals beyond this line of flashes there were the big geysers of flame, and dark objects visible in the middle of it, spouting up from our mines under the German front trench; and then at every two or three hundred yards there went up signal rockets from the German trenches, that seemed like visible shrieks to their artillery and supports to protect them from our infantry, who, they knew, were then on their way across from our trenches. I could see all this going on along several miles of front, and it was strangely dramatic, though all expressed through lights in the darkness alone, until the day broke and we could see our infantry already beyond the second line of enemy trenches and sauntering across quietly to the third, with our barrage of smoke walking steadily in front of them like the pillar of smoke in the desert—only of course it cannot give complete safety; and now and then the line would have a gap made in it by a shell and would join up again across the gap, and go strolling, with the strange look of leisureliness that an infantry charge of the scientific kind has now, until the time comes to rush the last few yards and jump down into the enemy’s trench.

It is grievous to to think that my battalion has twice had this great moment since I left it last midsummer, and that I may never know any more thrilling contact with the enemy than mutual sniping and a little reconnoitring of ground between his trenches and ours. The only compensation, so far as it goes, is that I see much more of the war and of the front as a whole, and the battlefield of the moment in particular, than one sees when engaged in honest regimental labour.

And in his diary:

Miles and miles of our front begin to dance in the dark, with twinkling and shimmering flashes. Suggests a long keyboard on which notes of light are being swiftly played. Then, from points all along German front, signal red and white and green rockets go up. Also ‘golden rains’ of our liquid fire, and one or two mine volcanoes. Dawn breaks on this firework show. Then on to a huge earthwork, an outwork of Arras citadel and lie on safe side and look over with fieldglass. Our infantry visible advancing in successive waves to take the second German trench-line N.E. of
Arras. Disquieted flocks of rooks. Then to Divl. H.Q., to find good news.

 

Charles Carrington‘s writing is honest, balanced, and well-informed. But he generally takes pains to, as they say, accentuate the positive. His morale and that of his unit’s was generally good–they have not despaired, they are more grim and more devoted to each other when they have started, but they would not acknowledge any sea change in their motivations, etc. But some days–and some nights, like last night, a century back, as they pressed up through the wreckage of this second push at Arras–were enough to drive a man to madness, despair, and self-slaughter. Last night he huddled under trench mortars; today was worse.

…In the morning, when we advanced unopposed, I passed the corpse of a British sergeant, not of my regiment. He lay on his back holding a revolver in his hand, shot through the throat at such an angle that I wondered if it had been suicide. If I had been suicidally inclined that night would have driven me to it.[19]

 

Edwin Vaughan and his battalion have been following the attack as well, and he writes voluminously of these days. But given his sensitive nature and penchant for drama, I don’t think he would mind my making this the representative incident:

At the Epéhy crossroads, we found a huge cat squatting on the chest of a dead German, eating his face. It made us sick to see it, and I sent two men to chase it away. As they approached it sprang snarling at them, but they beat it down with their rifles and drove it into the ruined houses. Then we covered the body with a sack, and went on.[20]

 

But we’ll end in Britain, in safety, and in the boudoir, where Duff Cooper has also been engaged in dire combat. Patrick Shaw-Stewart has been called back to war, but Cooper’s worries about other adversaries have pushed him closer to total war. Or, at least, to warfare unbefitting a gentleman. During Diana Manners‘ temporary absence from their long house party in Scotland he had been “obliged”–this is four days ago, a century back–to take a bath in her room. Where he opened and read her locked diary.[21]

It was rather vile of me…

It was, and we’ll skip the justifications. Amazingly, Cooper is both moved by learning “how much she loved Raymond” and urged to take action against his living rivals for her affection, including one Wimborne and a Lt-Col. Wilson who, of course, is known as “Scatters.”

There is no reference to me in the diary that I could quarrel with but I do not think she loves me… I rose from the perusal of this intimate diary which I had no right to read, loving, liking, and admiring her more than before.

And somehow this added up to progress. Cooper confessed his deed and was not banished. In fact, by last night he was reading her pages of his diary, then listening in agony outside her door while she (scandalously) entertained “Scatters” in the wee hours of today, a century back, and then returning in before dawn to wake her up with recrimination.

She cried and reproached me bitterly with not trusting and spying on her. I felt in the wrong and implored forgiveness which only after long pleading she granted. Then we had a night of the most wild and perfect joy. The best perhaps we ever had.[22]

And somewhere, every dawn, some men attack, and many sighs are drained.

 

References and Footnotes

  1. This may be--I joke here, almost completely, and with full apology for trespassing on the sanctity of life-or-death experience "from my armchair" (three words which I omitted from the Memoirs yesterday; but the armchair was only one possible destiny, for Sassoon)--the centennial blogger equivalent of Sassoon's mood at the very end of his escapade, yesterday, a century back...
  2. See Sassoon's "The Rear Guard," at the bottom of that post.
  3. Diaries, 156-7.
  4. For Love and Courage, 355, 358.
  5. Unknown Warriors, 114.
  6. War Letters, 155.
  7. Chronicle, 100.
  8. War Prose, 159-69.
  9. Fire-Eater, 209-11.
  10. War Letters to a Wife, 168.
  11. Griffith, Up to Mametz and Beyond, 138.
  12. Dilworth, David Jones in the Great War, 153.
  13. Anne Williamson, Henry Williamson and the First World War, 119-20.
  14. Letters from a Lost Generation, 334-5.
  15. Testament of Youth, 339.
  16. Sapper Martin, 60-4.
  17. The City that Shone, 190.
  18. With a Machine Gun, 106.
  19. Soldier From the Wars Returning, 145.
  20. Some Desperate Glory, 95-6.
  21. What, I ask you, is the point of all of that fancy classical education if Cooper can pull up and manage some allusion to Actaeon, transformed into a deer and torn apart by his own hounds after seeing Artemis in the bath. Perhaps, as he considers leaving the Foreign Office for the Army, the vengeful hounds of his old hunting partners, become ravening ghosts, perhaps, are a bit too frightening to contemplate.
  22. Duff Cooper Diaries, 50-1.

Kate Luard Prepares for Battle; Ivor Gurney Welcomes the Spring; Edward Thomas Reassures; C.E. Montague Estranged from Sacrifice

Everywhere in the British sector of Northern France there is an air of tense expectation. Kate Luard‘s Casualty Clearing Station at Warlencourt has just begun to take in large numbers of the wounded from the preliminary bombardments around Arras. She describes the “Preparation-for-Theatre” (i.e. pre-op) Ward:

Here the number of battered men, generally from 50 to 60, never seems to grow less, as although they are carried when ready to the operating Teams in the Theatre, their places are continually filled by others.

All the layers of sodden or caked stiff clothing are cut off, pyjamas or long flannel pinafore gowns put on… Hot blankets, hot-water bottles, hot drinks, subcutaneous salines and hypodermics are given them, as also in the Resuscitation Ward to which all the apparently hopeless cases are taken…

It often happens that no M.O. can be spared for this tent, so a great deal of responsibility is thrown to us…

Once when I was cutting off a split boot of a man wounded in the head, chest, and the other thigh, half his foot came off in it–a detail overlooked in the Dressing Hut and the Field Ambulance with all his other injuries…

What we have had so far is child’s play to what is to come…[1]

 

Edward Thomas is an inexperienced artillery subaltern, but he too knows that a grim test awaits. The firing plans his battery has been practicing since they arrived on the Arras front as well as the escalating bombardments of the last two days would make it abundantly clear (even if there had been total information security) that a major assault is only days away. Which is significant, but no sufficient reason to give up reading, looking for beauty, or tracking the progress of spring.

A dull morning turns misty with rain. Some 4.2s coming over at 10. Air flapping all night with great sails in strong gusty wind (with artillery)–thick misty windless air. Sods on f/c’s dugout begin to be fledged with fine green feathers of yarrow. Sun and wind drying the mud. Firing all day,… Beautiful pale hazy moonlight and the sag and flap of air. Letters to Mother and Helen. HAMLET.[2]

Thomas is reading Shakespeare, and perhaps a bit too tired to combine reading-recording with humor: the play has not destabilized his letters to his wife or mother in any noticeable way…

The letter to Helen is, in fact, notably calm. Thomas expands on the bare observations of the diary in a way that makes it clear that his primary purpose in writing is to steady and reassure:

5 April 1917
Dearest,

This is the second day, a much better day so far, beginning misty and turning warm. We have been firing faster, but I have sat in the sun at my job most of the time and got warm. I slept pretty well in the dug-out till our guns began. The other firing all night merely flapped and flapped like great sails in the heavy misty air. I woke hearing a wren sing and many blackbirds. The clods on my little hole where I work between 3 and 4 guns are getting fledged with fine green yarrow shoots all feathery.

The old dog this morning was delighted with running after Horton’s stick and bringing it back. He laid it down and started gnawing it, and then barked for it to be thrown again. His barking delighted us very much. I don’t think I had heard a dog bark in play for these three months. Then he went down into a shell-hole and drank the water in it.

The Somme pictures are absurd, compared with what I could tell you in five or six minutes and shall do someday I hope.

Goodbye. I am all and always yours Edwy.[3]

And the letter to his mother is, despite a similar calm acknowledgment that they are two days into the pre-assault bombardment, notably domestic:

5 April 1917
Dear Mother,

We are now in the thick of it, though not quite in the middle. This is the second day, and a beautiful day it is, sunny and misty, the sun sometimes failing behind the mist and coming through again quite warm, which I have enjoyed as I sat out on the bank between No. 3 and No. 4 guns while we fired. Yesterday was cold and slippery and dirty and I got clean tired out by the end when I was relieved at 9.30 p.m. after beginning at 5.30 a.m. I moved into the battery position to a dug-out I have been strengthening, because any day the Hun might see the wisdom of laying our street flat with the ground. It is a little damp in the dug-out but wonderfully quiet except when our No.1 and No.2 guns fire straight over it. All the other artillery only makes the air flap heavily all night. It is nice to wake up practically out of doors and hear the wrens in the copse. For the dug-out is dug out of a bank and not down into the ground, so that the light of day reaches it, and it has the advantage of lying across the line of fire of our own and the enemy’s guns, with the entrance not facing either.

I live for the moment in trousers concealed by rubber boots almost to the waist. This shortens the time of dressing and undressing by a quarter of an hour, as I have no boots or breeches to lace up. Otherwise I remain civilised and clean so far.

He’s a good boy, Edward is. But he returns, after this faint smile, to recent developments and the near future: his eight pseudonymous poems are being well reviewed, and the big push is only days away.

I have just seen quite a respectable review of the Annual in the Times and I hear there will be one in the New Statesman . . .

As things are at present arranged I may see exciting things within 3 or 4 days. But of course the future is obscure and we do not know what the Hun will do, or if he is where we think he is—if he is, he is having a bad time. I do not mind how bad if it helps to end the war. Goodbye . . .

Ever your loving son

Edwy[4]

 

C.E. Montague and Edward Thomas must have known each other at least in passing, English journalism being a smallish world, and they share a subject today, a century back. But whereas Thomas is reticent about his atheism and capable still of the simple hope that the latest effort will help end the war, Montague is thoroughly miserable and completely negative about the course the war has taken. He does not deny Christ–in fact he associates Christian virtue with the faithfulness of the soldiers he so admires–but that also requires aligning those who control the course of the war with the persecutors and executioners of God.

Diary
April 5, 1917 (eve of Good Friday)

…Still, we may win. The multitude of men who think of nothing but serving hard and faithfully unto death, who do not hope for distinctions or promotions, may carry the world into safety and a new life. Hundreds and thousands of them will die, after this Good Friday, more painfully than on a Cross. Our hope is that in them, as in Christ, a
worse world may die into a better, and larger life come out of death, and mankind be ennobled by losing its noblest men—the old mystery of the Cross and of evolution.

I seem to have lost my chance of thus following Christ. There seems to be no hope of getting back to my battalion. Because I am 50 I must live among the embusqués [shirkers] and not with the friends I love and honour since I came to know the depth of their courage and patience in the trenches. It is cheap even to murmur against it. It is like trying to combine my ignominious safety with a little easy aspiration after self-sacrifice. But I do mean it.

Cavalry moving up all the roads. Procession of Red Cross trains up St. Pol-Arras line. Push put off from 8th to 9th.[5]

Skeptical and disenchanted, Montague is now voicing–privately–the newer sort of protest. But despite the bitterness about the slaughter he does not consider “turning pacifist” or otherwise refusing to continue to be party to the passion of the Tommy. In fact, the key to his bitterness is his estrangement from his original unit–the same thing that so many others, in other moods, identified as the best thing about the war. Montague was too old and too sickly for the rigors of combat, and so he was denied, after short service in the trenches, what almost all of our writers crave: the unmatched intensity of the fellowship of combat infantry. To “murmur” from safety would only compound the betrayal he feels (although it was not his choice to leave). Montague, now tasked with escorting VIPs in the battle zone, even forswears what his friends all remark upon: that he seeks danger whenever his cushy job permits. He doesn’t want to play at martyrdom–it would be disloyal, almost blasphemous. And yet given how much emphasis is on “small unit cohesion” the ready paradigm–as he notes, tomorrow is Good Friday–doesn’t really fit. It’s not Christ who is going to his passion alone; it’s a whole platoon of disciples, going together at the behest of the gods of war, hundreds of times over…

 

Finally, today, Ivor Gurney‘s Gloucesters are stationed far to the south of the coming Arras attack, but they will be in action soon nonetheless. There is fighting to be done as new positions are established opposite the Hindenberg line.

Private Gurney is still uncertain of the date of the coming attack (he is uncertain even of today‘s date), but he is nevertheless certain of some things: art, beauty, and Gloucestershire. He writes, as so often, to Marion Scott.

April 4 or 5th

I thought we were going over the top tonight, but it has been postponed — a state of things which will inevitably lead to souloutpourings. My state of mind is — fed up to the eyes; fear of not living to write music for England; no fear at all of death. Yesterday we had a little affair with a German patrol, which made me interested for 5 minutes; after which I lapsed into the usual horrid state of boredom. O that the Nice Blighty may come soon! I do not bear pain and cold well, but do not grumble too much; so I reckon that cancels out. One cannot expect to have everything, or to make one’s nature strong in a week. It snowed like anything yesterday, but today has been quite beautiful, and I have strolled about chatting of Maisemore Wood and such-like things of beauty…

My dear friend, it has been very kind of you to write to my friends as you have, and I know they are grateful. It is something to know that my father realises his trouble and sacrifice have not been all wasted. He has been only too good always; especially considering the difference of our temperaments, and my long wasted time. Surely my life must lead to something. Surely the apprenticeship has almost passed?

I am afraid there are no poems again. The conditions are against it…

Here we are called up.

Goodbye: Your sincere friend Ivor Gurney

Ah, but that was only April 4th, and he has lived to fight, at least, another day.

Next day

…This morning was beautifully sunny, and daisies are poking their heads out here and there — without steel helmets! O the Spring, the Spring! Come late or early, you must give hope ever to the dwellers in the house of flesh…[6]

 

References and Footnotes

  1. Unknown Warriors, 108-9.
  2. War Diary (Childhood), 175.
  3. Letters to Helen, 94.
  4. Selected Letters, 162-3.
  5. C.E. Montague, 167-8.
  6. War Letters, 152-3.

C.E. Montague Behind the Old Lines; Siegfried Sassoon Drugs Himself With Dreams; Edward Thomas Knows Love

C.E. Montague‘s diary has only been published in widely-spaced fragments, so it is difficult to get a sense of his day-to-day life as a professional optimist concealing a private fury. But he, too, takes joy in the German retreat–the relative uncertainty of semi-open warfare is good news for a man who likes to “accidentally” roam too close to the line when he is supposed to be keeping his V.I.P. guests safe. Today, a century back, he finds there a sight that emphasizes the essential commonality of experience of all fighting soldiers:

March 27

By car, with Lance-Corporal Bonafoux, to . . . Boiry Becquerelle, our last village eastwards here. No trench, soldier, or line visible from here, but Hénin-sur-Cojeul, in German hands, visible a mile away to the N.E. One of our snipers busy a few hundred yards to the N. We walk E.S.E. through a washed garden of yews, box-edging, and fruit-trees, and beyond, in a corner of an orchard behind a hedge, I am challenged by a corporal in command of a sentry group of two men. I ask him where is our front line.

He says, ‘Well, Sir, I’m our most advanced post here. We had one up the road on the right, but it was scuppered the other night.’ I see the ‘road on the right’, a sunk road, sloping obliquely up a little rise towards Croisilles, an enemy strong point less than two miles away.

It looks sunny and peaceful and tempts me to reconnoitre it and see the lost post, if empty of Germans. Bonafoux and I go up the road, and in 300 yards come to two little shelters under the east bank of the sunken road. The captured men’s messing tins and waterproof sheets are lying about and the hay in the shelters is still moulded like a bird’s nest with the pressure of their bodies where those off duty rested. Fifty yards beyond the derelict post the explanation of its capture is made clear. A German communication trench, coming from the direction of Croisilles, debouches on the road, out of its north-eastern rising bank. Clearly the enemy, at night, streamed down this trench overpowered the little post and carried them off prisoners.

On right of road, near Boisieux-au-Mont, a German military cemetery, an extension of a French village cemetery. Near the entrance-gate a well-kept grave, with ivy and some sort of primulous flowers planted on it, and inscribed

Hier ruht in Gott
der englische Soldat
C. M. Cross
9 King’s L—pool Regt
gef. an 7.4.16.

Other well-kept and planted graves of English and French soldiers beside the road further on.[1]

 

Edward Thomas has also moved forward, into new positions from which they will now fire the big guns. Being closer to the German guns, however, will take some getting used to.

Rain and sleet and sun, getting guns camouflaged… Sat till 11 writing letters. As I was falling asleep great blasts shook the house and windows, whether from our own firing or enemy bursts near, I could not tell in my drowse, but I did not doubt my heart thumped so that if they had come closer together it might have stopped… Letters to Helen and Eleanor.[2]

Let’s read the one to Eleanor Farjeon, which confirms an unsurprising illogic: Thomas writes better, more thoughtful, more feeling letters when he is exhausted and close to the guns than when he is in reserve or doing office work behind the lines.

Rather than breaking in to comment, I’m just going to insert paragraph breaks into the flow of the letter. This, I think, will more gently underline the way Thomas links so many apparently disparate thoughts–thanks and ginger, friendship and death, expectation and anxiety–in one snaking but unbroken chain.

March 27
My dear Eleanor

As everybody is sleepier than I and I am alone I am going to drink hot brandy and water with you for a quarter of an hour. The gramophone (and Raymond Jeremy) is silent, and the guns are mostly half a mile off or more, and nothing is coming over. But these are busy times. Again the battle is promised us and we long to be into it, I suppose because then it will be nearer over.

We are up late and down early. We do all kinds of things. Today I solemnly took 10 men and an N.C.O. and a trench cart to steal a small truck for carrying shells on rails. I had to guide them and stand by officially as if it were an official act while they loaded the cart and marched off. The other things I did were more technical, and in doing them I dashed about over copse and made extra paths that the Hun will photograph. Just for 5 minutes Thorburn and I looked for primroses—in vain among the moss and ashtrees. We have to cut off 10 feet from the tops of the prettiest birchtrees, because they are dangerously in our way. Not one shell—touch wood—has fallen into the copse yet, though a quarter of a mile off they crack every day.

Yet we have pleasant and even merry hours and moments. We are kind to one another often. And we do eat well, in spite of the loss of that parcel, for the one that came from F. & M. was certainly not the one you spoke of. It contained sweets and muscatels and almonds and tinned paste and soup tablets. It contained also the wrapper of the originally misdirected parcel to explain the delay. You send what you like. Muscatels and almonds are what I like best, and fruit fresh or dried of any kind. Best of all is to have my pockets fat with your letters as they are now.

I was nearly forgetting to thank you for more ginger and several kinds of sweets. They were very good. I ate some of them in the sun at lunch in the O.P. the other day, sitting on some wooden steps till I suppose the Hun got envious and shelled me away. It is walking up to or among ruined houses—gable ends all big holes and piles of masonry round and splintered walnut—that I dislike most, with a lowering sky like this evening’s.

I keep feeling that I should enjoy it more if I knew I would survive it. I can’t help allowing it to trouble me, but it doesn’t prey on me and I have no real foreboding, only occasional trepidation and anxiety. The men are better but then they are comrades and I am usually alone or with them. I wish that what is coming would be more than an incident—the battle of——. Still I can’t wait a great while, though of course what is coming is to be worse than anything I know so far. It is worse for you and for Helen and Mother, I know. I wish I could keep back more of what I feel, but you mustn’t think it is often fear or ever dread for more than a moment.

You will be in your cottage by the time this arrives with all your pretty things. I wish I could like more pretty things—the only one I like is that gavotte from Ambrose Thomas’s ‘Mignon’. I shall get it played now and go to bed. Good night. Yours ever

Edward Thomas[3]

Thomas is in most ways a good man–as good as he can be–and he has a talent for friendship, even if he finds it frustrated among the men of an artillery battery. But love is another matter, and kindness, for him, can be an effort. This is especially true for those who intrude upon his solitude and misery by loving him. He has always been… inconsistent in mustering the strength to be generous and compassionate with those who love him most.

But now, writing to a dear and loyal friend on something almost like the eve of battle, he does her a quiet sort of honor and a very great kindness: by counting Eleanor with his mother and his wife among those always always for word of him–those whose lives are to a great degree suspended while he remains in danger–he recognizes in a formal, almost courtly way, a fact that is plain to them both–she loves him, and he knows it.

 

It is a burden to be loved, and a great thing to be free–but lovers are not supposed to feel burdened and free men are free to feel burdened. Siegfried Sassoon doesn’t think enough of his mother–the embarrassing, slightly batty figure who has already lost a son and has yet to endure the indignity of being translated into “George Sherston”‘s “Aunt Evelyn.” And not thinking of her there is no one else, really–there are many friends, but no one so firmly committed to him that he or she waits only for a line about Siegfried.

Instead, the prospect of his death remains, primarily, an item of philosophical contention between himself and… well, whoever. The establishment, the generals, the Germans, the phonies, the tension of an uncertain life, his inchoate opinions, his transubstantiating muse. Where shall (personal) peace be found? How about that rainy cathedral walk last night? What is there to live for?

We expect to be at Camp 13 until the end of this week; then probably go to St Pol, before proceeding to the battle—whatever that may mean. I felt last night (after a bottle of decent wine) that I would gladly die to guard Amiens Cathedral from destruction, but one can’t feel like that in the light of day.

Anyhow, I would rather be in a battle than at Camp 13. It would be interesting, though uncomfortable; and there would always be the possibility of release, to Blighty, or Elysian-fields.

In these days I drug myself with dreams. I have seen the Spectator for March 17, in which Heinemann advertises my book as ‘ready shortly’: Being about ten days behind the civilised world of London, I suppose I’m published by now![4]

He is not–these things go slowly! Battle will come in April, The Old Huntsman in May.

 

References and Footnotes

  1. Elton, C. E. Montague, 157-8.
  2. War Diary (Childhood), 172.
  3. Farjeon, Edward Thomas, 257-9.
  4. Diaries, 145-6.